Abroad at Home: American Ramblings, Observations, and Adventures of Julian StreetStreet, Julian
General
Abroad at Home: American Ramblings, Observations, and Adventures of Julian Street
Street, Julian
United States -- Description and travel; United States -- Social life and customs -- 1865-1918
Another thing which interested me in Field's was the appearance of the
saleswomen. They do not look like New York saleswomen. In the aggregate
they look happier, simpler, and more natural. I saw no women behind the
counters there who had the haughty, indifferent bearing, the
nose-in-the-air, to which the New York shopper is accustomed. Among
these women, no less than among the rich, the Chicago spirit seemed to
show itself. It is everywhere, that spirit. I admit that, perhaps, it
does not go with omnipresent taxicabs. I admit that there are more
effête cities than Chicago. The East is full of them. But that any city
in the country has more sterling simplicity, greater freedom from sham
and affectation among all classes, more vigorous cultivation, or more
well-bred wealth, I respectfully beg to doubt.
No, I have _not_ forgotten Boston and Philadelphia.
* * * * *
In an earlier chapter I told of a man I met upon a train who, though he
lived in Buffalo, had never seen Niagara Falls. In Chicago it occurred
to me that, though I had worked on a newspaper, I had never stood as an
observer and watched a newspaper "go through." So, one Saturday night
after sitting around the city room of the Chicago "Tribune"--which is
one of the world's great newspapers--and talking with a group of men as
interesting as any men I ever found together, I was placed in charge of
James Durkin, the world's most eminent office boy, who forthwith took me
to the nether regions of the "Tribune" Building.
With its floor of big steel plates, its towering presses, vast and
incomprehensible, and its grimy men in overalls, the pressroom struck me
as resembling nothing so much as the engine room of an ocean liner.
The color presses were already roaring, shedding streams of printed paper
like swift waterfalls, down which shot an endless chain of Mona
Lisas--for the Mona Lisa took the whole front page of the "Tribune"
colored supplement that week. At the bottom, where the "folder" put the
central creases in them, the paper torrents narrowed to a disappearing
point, giving the illusion of a subterranean river, vanishing beneath
the floor. But the river didn't vanish. It was caught, and measured, and
folded, and cut, and counted by machinery, as swift, as eye-defying, as
a moving picture; machinery which miraculously converted a cataract into
prim piles of Sunday newspapers, which were, in turn, gathered up and
rushed away to the mailing room--whither, presently, we followed.
Public-domain text, read in full here on John Shaqi.
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