Produced by Charles Bowen
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ABSOLUTION
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ABSOLUTION
BY CLARA VIEBIG
TRANSLATED BY
H. RAAHAUGE
LONDON: JOHN LANE, THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY. MCMVIII
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PLYMOUTH: WILLIAM BRENDON AND SON, LTD., PRINTERS
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ABSOLUTION
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ABSOLUTION
CHAPTER I
"The rats! Ugh, the rats!" cried beautiful Mrs. Tiralla, as she stood
in the cellar with her maid. They had gone down to fetch some of the
pickled cabbage from the tub in the corner in order to cook it, and the
maid was carrying the lamp whilst Mrs. Tiralla held the earthenware
dish. But now she let it fall with a piercing shriek, and lifted her
skirts so high that you could see her gay-coloured, striped stockings,
and her neat feet encased in shiny leather slippers.
"Where are the rats?" The maid laughed and showed all her big white
teeth. "I can't see any rats. There are none here, Pani," and she
looked at her mistress with a half stupid, half cunning leer on her
face. "Pani must have been dreaming, there's not a living thing in the
cellar except Pani and Marianna. Sh! sh! hark!" She bent her head and
listened for a moment; then she shook it and laughed again. "Rats would
patter, but there's no sound of anything."
She raised the lamp, so that the light shone all around. Gliding
shadows fell on the black walls gleaming with moisture, and showed
up the cracks in [Pg 2] the rough masonry, the places where the
bricks were crumbling away, and the dark corners in which hung big
spider-webs. It was the old cellar of an old house in which the two
women were standing, and a very neglected one to boot. It had never
been cleared. Turf and coals, all higgledy-piggledy, were stored away
near the tub containing the _Sauerkraut_; and amongst the many wine
bottles that lay scattered about on the floor there were just as many
empty ones as full ones. The shelves, which once upon a time had
reached half-way up the cellar walls, had fallen to pieces, and were
now nothing but a heap of rotting wood. All kinds of rubbish lay
amongst the potatoes, and broken hooks, broomsticks, and old pieces of
pot stuck out of the sand, into which, here and there, a bundle of
herbs had been carelessly thrust, in order to keep it through the
winter. The place had never been aired, as there was nothing but a very
small grating right at the top, which was never opened; and it smelt
foul. The lamp gave a dim light, as though stifled by the mustiness,
and the two figures--the clumsy figure of the maid and the more dainty
one of the mistress--were encircled by a vaporous, glimmering mist.
Public-domain text, read in full here on John Shaqi.
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