The fog cleared up. And one of those inexpressibly balmy days followed. June in Halifax represents our early May. The trees are all in bud; the peas in the garden-beds are just marking the lines of drills with faint stripes of green. Here and there a solitary bird whets his bill on the bare bark of a forked bough. The chilly air has departed, and in its place is a sense of freshness, of dewiness, of fragrance and delight. A sense of these only, an instinctive feeling, that anticipates the odor of the rose before the rose is blown. On such a morning we went forth to visit Chezzetcook, and here, gentle reader, beginneth the Evangeliad. The intuitive perception of genius is its most striking element. I was told by a traveller and an artist, who had been for nearly twenty years on the northwest coast, that he had read Irving's "Astoria" as a mere romance, in early life, but when he visited the place itself, he found that _he was reading the book over again_; that Irving's descriptions were so minute and perfect, that he was at home in Astoria, and familiar, not only with the country, but with individuals residing there; "for," said he, "although many of the old explorers, trappers, and adventurers described in the book were dead and gone, yet I found the descendants of those pioneers had the peculiar characteristics of their fathers; and the daughter of Concomly, whom I met, was as interesting a historical personage at home as Queen Elizabeth would have been in Westminster Abbey. At Vancouver's Island," said the traveller, "I found an old dingy copy of the book itself, embroidered and seamed with interlineations and marginal notes of hundreds of pens, in every style of chirography, yet all attesting the faithfulness of the narrative. I would have given anything for that copy, but I do not believe I could have purchased it with the price of the whole island." What but that wonderful clement of genius, _intuitive perception_, could have produced such a book? Irving was never on the Columbia River, never saw the northwest coast. "The materials were furnished him from the log-books and journals of the explorers themselves," says Dr. Dryasdust. True, my learned friend, but suppose I furnish you with pallet and colors, with canvas and brushes, the materials of art, will you paint me as I sit here, and make a living, breathing picture, that will survive my ashes for centuries? "I have not the genius of the artist," replies Dr. Dryasdust. Then, my dear Doctor, we will put the materials aside for the present, and venture a little farther with our theory of "intuitive perception." Longfellow never saw the Acadian Land, and yet thus his pastoral begins: "This is the forest primeval. The murmuring pines and the hemlocks."