London (England) -- Social life and customs -- Fiction; Love -- Fiction; Political fiction; Satire
Sir Creighton, when he had finished writhing at the word “scientist,”
smiled quite vaguely; for no one seemed to entertain the idea that the
inspiration which had enabled the man of science to look into the future
and see ships moving silently over the water at a speed of forty-two
knots an hour was precisely the same quality which permitted of
his translating into English metre the passionate song sung by the
Nightingale to the Rose.
No one knew how refreshed he felt on returning to his electrical designs
after spending an hour or two over those exquisite fabrics of verse
which appeared in the volume by “Alençon Hope” Rhythm and arithmetic
seem to many people to be the positive and negative poles of a magnet,
but both mean the same thing in the language from which they are
derived.
“Poor old pater!” said Amber when the girls were left alone with Lady
Severn. “He is back again at one of those problems which he has set
himself to solve for the good of the world. Poor old pater!”
“Old!” cried Josephine. “I never met any one so young in the whole
course of my life. In his presence I feel quite mature.”
“The greatest problem that he has solved is the science of living,” said
Lady Severn. “If he has not discovered the secret of perpetual youth, he
has mastered the more important mystery of perpetual happiness.”
“He knows that it is best seen through another’s eye,” said Josephine.
At this point a young man with a very shiny hat in his hand was shown
in. He was greeted by Amber by the name of Arthur and by the others
as Mr. Galmyn. He was a somewhat low-sized youth with very fair hair
breaking into curls here and there that suggested the crests of a wave
blown by the wind. It was not his curls, however, but his eyes that
attracted the attention of most people; for his eyes were large and
delicately blue. Sentimentalists who sat opposite him in an omnibus--an
omnibus is full of sentimental people, six on each side--were accustomed
to see a certain depth of sadness in Arthur Galmyn’s eyes. He would have
felt greatly disappointed if they had failed to think them sad. He had
long ago formed a definite opinion about their expression. They had
caused him a great deal of thought and some trouble in his time, but he
had long ago come to feel every confidence in their sadness. It was his
aim to see that his life was congenially tinged with a mild melancholy.
He quoted from “The Lotus Eaters” and tried to realise a life “in which
it always seemed afternoon.”
He took tea punctually at five.
Public-domain text, read in full here on John Shaqi.
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