Account of a Tour in Normandy, Volume 1 — John Shaqi
Account of a Tour in Normandy, Volume 1Turner, Dawson
History
Account of a Tour in Normandy, Volume 1
Turner, Dawson
Architecture -- France -- Normandy; Normandy (France) -- Antiquities; Normandy (France) -- Description and travel
[16] Such are the Abbé's principal arguments; but he goes on to say,
that the height of the ramparts proves almost to demonstration their
having been erected since the use of fire-arms, a mode of reasoning that
would, I fear, be equally conclusive against the antiquity of a very
celebrated earth-work, the Devil's-Ditch, in Cambridgeshire, whose agger
is of about the same elevation, but of whose modern origin nobody ever
yet dreamed;--that the ramparts opposite Dieppe could only be of use
against cannon, another position equally untenable;--that, were the camp
Roman, there would be platforms on the agger for the reception of wooden
towers, as if time would not wear away vestiges of this nature;--that
the disposition is not in regular order like that of a Roman encampment,
a matter equally liable to be defaced;--and, finally, that the out-works
to the west are fully decisive of a more modern æra, as if intrenchments
were not, like buildings, frequently the objects of subsequent
alterations;--In his inferences he is followed, and, apparently without
any question as to their authenticity, by Ducarel, whom I suspect from
his description never to have visited the place. The Abbé Fontenu, in a
paper in the same volume, gives it as his opinion that, from the term
_Civitas Limarum_, it might safely be believed there was a _city_ in
this place; and he tries to persuade himself that he can trace the
foundations of houses.
[17] _Noel, Essais sur le Départment de la Seine Inférieure_, I. p. 88.
[18] The same is also notoriously the case in our own country: popular
tradition, by a metonymy very easily to be accounted for, from a desire
of adding importance to its objects, attributes whatever is Roman to
Julius Cæsar, as the most illustrious of the Roman generals in England;
just as we daily hear smatterers in art referring to Raphael any
painting, however ordinary, that pretends to issue from the schools of
Rome or Florence, every Bolognese one to Guido or Annibal Carracci,
every Kermes to Ostade or Teniers, &c.
[19] _Noel, Essais sur la Seine Inférieure_, I. p. 98.
[20] Sully, who was himself in this battle, and bore a conspicuous part
in it, dwells upon its details completely _con amore_, and evidently
regards the issue of this day as decisive of the fate of the monarch,
who is reported to have said of himself shortly before the battle, that
"he was a king without a kingdom, a husband without a wife, and a
warrior without money."--I. p. 204.
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