Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House on the Night of May 10th, 1849: With the Quarrels of Forrest and Macready Including All the Causes which Led to that Awful Tragedy Wherein an Infuriated Mob was Quelled by the Public Authorities and Military, with its Mournful Termination in the Sudden Death or Mutilation of more than Fifty Citizens, with Full and Authentic Particulars — John Shaqi
Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House on the Night of May 10th, 1849: With the Quarrels of Forrest and Macready Including All the Causes which Led to that Awful Tragedy Wherein an Infuriated Mob was Quelled by the Public Authorities and Military, with its Mournful Termination in the Sudden Death or Mutilation of more than Fifty Citizens, with Full and Authentic ParticularsAnonymous
History
Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House on the Night of May 10th, 1849: With the Quarrels of Forrest and Macready Including All the Causes which Led to that Awful Tragedy Wherein an Infuriated Mob was Quelled by the Public Authorities and Military, with its Mournful Termination in the Sudden Death or Mutilation of more than Fifty Citizens, with Full and Authentic Particulars
Anonymous
Astor Place Riot, New York, N.Y., 1849; Forrest, Edwin, 1806-1872; Macready, William Charles, 1793-1873; Mobs -- New York (State) -- New York; Riots -- New York (State) -- New York
On the occasion alluded to, Mr. Macready introduced a fancy
dance into his performance of Hamlet, which I designated
as a _pas de mouchoir_, and which I hissed, for I thought
it a desecration of the scene, and the audience thought
so, too, for in a few nights afterwards, when Mr. Macready
repeated the part of Hamlet with the same “tom-foolery,” the
intelligent audience of Edinburgh greeted it with a universal
hiss.
Mr. Macready is stated to have said last night, that up to
the time of this act on my part, he had “never entertained
towards me a feeling of unkindness.” I unhesitatingly
pronounce this to be a wilful and unblushing falsehood.
I most solemnly aver and do believe, that Mr. Macready,
instigated by his narrow envious mind, and his selfish fears,
did _secretly_—not _openly_—suborn several writers for the
English press, to write me down. Among them was one Forster,
a “toady” of the _eminent tragedian_—one who is ever ready
to do his dirty work; and this Forster, at the bidding of his
patron, attacked me in print even before I appeared upon the
London boards, and continued his abuse at every opportunity
afterwards.
I assert, also, and solemnly believe, that Mr. Macready
connived, when his friends went to the theatre in London to
hiss me, and did hiss me, with the purpose of driving me
from the stage—and all this happened many months before
the affair at Edinburgh, to which Mr. Macready refers, and
in relation to which he jesuitically remarks, that “until
that act, he never entertained towards me a feeling of
unkindness.” Bah! Mr. Macready has no feeling of kindness for
any actor who is likely, by his talent, to stand in his way.
His whole course as manager and as actor proves this—there
is nothing in him but self—self—self—and his own
countrymen, the English actors, know this well. Mr. Macready
has a very lively imagination, and often draws upon it for
his facts. He said in a speech at New York, that there,
also, there was an “organized opposition” to him, which is
likewise false. There was no opposition manifested towards
him there—for I was in the city at the time, and was careful
to watch every movement with regard to such a matter. Many
of my friends called upon me when Mr. Macready was announced
to perform, and proposed to drive him from the stage for his
conduct towards me in London. My advice was, do nothing—let
the superannuated driveller alone—to oppose him would be
but to make him of some importance. My friends agreed with
me it was, at least, the most dignified course to pursue,
and it was immediately adopted. With regard to “an organized
opposition to him” in Boston, this is, I believe, equally
false, but perhaps in _charity_ to the poor old man, I should
impute these “chimeras dire,” rather to the disturbed state
of his guilty conscience, than to any desire on his part
wilfully to misrepresent.
EDWIN FORREST.
Public-domain text, read in full here on John Shaqi.
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