[Illustration]
A _forain_ is technically a merchant, or the owner of a game. The
sweetmeat-maker who, surrounded by a circle of admiring children,
rolls serpentine rings of paste round a flexible wand laden with
little bells is a _forain_, so is the fritter merchant; the same term
describes the rich agent of the manufacturers of Rheims and Dijon,
who travel round the world carrying with them the best brands of
gingerbread. The celebrated M. Exaltier, the director of the American
Galleries, is also a _forain_; by the ingenuity of his inventions he
has revived the public interest in panoramas. The same term describes
the clever M. Chable, the manufacturer of the finest hygienic horses
that have ever been [p042] seen, splendid animals made of varnished
poplar wood, stout as a Flemish mare, which cost him two hundred
francs each.
“They were dearer than if they were alive,” cheerfully repeats M.
Chable, caressing his steeds, “but I save it in the food.”
The post-master of hygienic horses is an important personage in
the _forain_ world, and so is also the proprietor of the “Crystal
Palace,” the most luxurious roundabout of hobby-horses at present in
the Fair du Trône or anywhere else. His tent contains no less than
two organs; one of them cost him 5,000 fr., the other 12,000 fr.
His daily expenses amount to eighty francs for his establishment;
but a fine Sunday doubles his receipts in a marvellous way, and the
“Crystal Palace,” when all the three _sous_ a ride have been counted
up, often makes a thousand francs in one day.
All the keepers of billiard-tables, the owners of wheels of fortune
or lotteries, are _forains_. A complete and most curious book might
be written on the fraudulent games of chance which swarm in a fair,
in spite of the vigilance of the police. I shall write one some day
when M. Carrabilliat, one of the most intelligent and most respected
members of the syndicate, has completed my education. To begin with,
he explained to me the mechanism of his race game, an amusement
which, although forbidden for a time, is now permitted in the fair
since the owners have proved the impossibility of tampering with the
small horses or of preventing the slight bars upon which they move
from turning freely round the course. The good-natured public more
than suspects some tricks. It knows by experience that the rabbit
is never won at the first shot, and that no one within [p043] the
memory of man has ever carried off the clock with its glass shade.
This fact does not prevent it from paying its pennies to the owner
of the wheel of fortune, or check its eager competition with chance
as a partner, for the possession of a little glass chandelier.
Here, as at Monaco, you will find the gambler who gets excited and
ruins himself—alas! the poor fellow loses all self-restraint if the
bystanders gather round him, watching and discussing his luck!
[Illustration] [p044]
Public-domain text, read in full here on John Shaqi.
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