This clever dog-clown would reach the springing-board at a gallop,
then stop short before the bar, pass under the chairs when the
hoop was held out to him, feign a sound and sonorous sleep when he
was told to perform. But all this was only shamming, intended to
evoke laughter from the audience. Suddenly the Merry-Andrew would
free himself from his collar, bound upon the board, and cleave
the air [p114] with such a wonderful spring that the greyhounds
refused to follow him, and it was necessary to catch him on a
mattress to prevent him from breaking his paws. Some months later
he broke his back in London in a still more dangerous performance.
The best doctors were sent for, but nothing could be done; he died
after a short struggle of sobs and howls. I met his master some
months afterwards, and spoke to him about his loss. He still wept
when he mentioned the poor clown, whom he had cherished with human
friendship. I listened to all his regrets, and his words reawakened a
sympathetic pang in my own heart.
[Illustration]
My lost favourite—a black poodle—was called Miette. She was not
clever, for she never even learnt to stand on her hind legs, but we
loved each other. At that time I lived on the banks of the Marne,
between Nogent and Joinville-le-Pont, a terribly deserted and
solitary district in winter. If Miette found that I did not return
home by the last train, she would break her chain and go and wait for
me near Reuilly, in the moats of Vincennes. She wished to escort me
through the woods, which, she felt, were by night full of possible
attacks and hidden peril. One day she was bitten by a mad dog. I did
not suspect the nature of the illness that followed, and endeavoured
to open her mouth and give her some medicine. She looked at me with
mad, supplicating eyes, seeming to say, “Leave me, my master, I do
not want to bite you.” When I knew what was the matter, I would not
leave the task of killing her to a veterinary surgeon, who might
have done it awkwardly perhaps. I led her into a thicket in that
forest of Vincennes which we had so frequently crossed together on
fine, silent, [p115] frosty nights, lighted only by the brilliance
of the stars. My heart ached with the agony of a man about to commit
a crime, who has led his friend into the corner of a wood [p116]
intending to perpetrate a cowardly murder. But it was necessary that
she should die. I made her lie down, put my revolver to her ear, and
fired.
Oh, my poor Miette! the long reproachful look you gave me ere your
eyes closed for ever—your loving, childlike eyes! I dug a hole and
gently laid you in the grave. I took off your collar—it still lies in
the drawer of my writing-table, my hand often touches it when I turn
over the confusion of papers. The little curb rings like halfpence
in a purse. And then I fancy that my poor Miette is moving round me;
that I hear her clumsy gallop on the wooden staircase; that in a
moment she will be scratching at the door.
Public-domain text, read in full here on John Shaqi.
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