England -- Social life and customs -- 20th century -- Fiction; Spiritualism -- Fiction
Archie shook hands, and then his eyes went back to Helena again. She had
never looked more entrancingly pretty, but she was made of wood. And
then Jessie came in; they were all there, and dinner was ready, and down
they went. In this wooden world, everything went on in precisely the
same way as it had done when people were made of flesh and blood. Some
cunning mechanical contrivance enabled them to talk and smile and eat:
food tasted the same and so did the champagne in which presently they
drank Helena's health. It was the same prickly, bubbly stuff, with a
little sting in it, that he so seldom drank. But it unfroze the surface
of the stricture that bound him, as when the first stir of a thawing
wind moistens the surface of ice. He began to feel again, to be
conscious that somewhere within him was a deep well of the waters of
pain. But anything was better than that cataleptic insensibility, which
was like being unconscious, and, all the time, knowing that he was
unconscious.
They were not going out that night, and after dinner they sat down to a
rubber of bridge, in which as usual Helena took Archie as a partner,
because she always insisted that she could form some idea of the
principles on which he played, whereas the other two but wandered in a
starless and Cimmerian gloom when mated with him. But Helena claimed
that her spiritual affinity with Archie enabled her to perceive that,
when he declared hearts, he wished her to understand that he hadn't got
any, and that she would do well to declare something different. "Bridge,
properly understood," Archie had enunciated once, "is a form of poker:
you must bewilder and terrify your adversary. And then the fun begins,
and you get fined." What added to the hilarity was the concentrated
seriousness which Jessie and her partner brought to bear on the game,
and the miser's greed and avaricious eye with which Jessie was popularly
supposed to see her score mounting. All these jokes, these squibs of
light-hearted nonsense, were there to-night, but there was nothing
behind them. It was as if they were spoken from habit; a frigid
rehearsal of some pithless drama was going on; they were tinsel flowers
stuck into arid and seedless ground, and sprang no longer from the warm
earth.
Public-domain text, read in full here on John Shaqi.
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