Then came the most exciting discovery: this vocal angel proved to be the son of the head-keeper, and it was therefore perfectly easy to make his acquaintance. The notion of meeting him face to face, of exchanging a "good-morning" with him was almost overpowering, and yet Archie instinctively shrank from bringing the idol into contact with actual life. He began to choose for his walk the rather dank and gloomy path that led past the keeper's cottage, and yet, when that abode where the idol lived came within sight, Archie, with beating heart would avert his eyes, for fear he should see him. Then one day, as they got opposite the gate, a small boy in corduroy knickerbockers with a rather greasy scarf round his neck and a snuffling nose came out, and touched his cap. There could be no doubt about his identity, and Archie suffered the first real disillusionment of his life. The fading of Abracadabra was nothing to this: that had been a gradual disillusionment, whereas this was sudden as a lightning-stroke. He was a shattered idol, and from that moment Archie could hardly recall what it had been about, or recapture the faintest sense of the emotion which had filled him before that encounter in the wood which caused it to reel and totter and fall prone from its unsubstantial pedestal. This blow, on the top of the robust reception of his confession, did much to restore Archie to the ways of normal boyhood, and it was really rather a relief to his mother, when his expanding experimenting nature took a very different turn, and he became for a time obstreperously naughty. She thought, quite rightly, that this evinced a greater vigour. That it undoubtedly did, and the imagination contained in some of Archie's exploits rivalled the more visionary power that constructed death-bed scenes for himself and the idealization (cruelly shattered) of the choir-boy.