Across the YearsPorter, Eleanor H. (Eleanor Hodgman)
General
Across the Years
Porter, Eleanor H. (Eleanor Hodgman)
Fiction; Short stories
"I? Why, of course not!" cried Frank. "I supposed you were going to. But
maybe Ned-" He paused and turned questioning eyes on his brother.
Ned shook his head. "Not I," he said.
"Why, then--then they don't know," cried Ella, aghast. "They don't know
a thing!"
"Never mind, come on," laughed Ned. "What difference does it make?"
"'What difference does it make'!" retorted Ella indignantly. "Ned
Bertram, do you suppose I'd take the risk of ten of us pouncing down on
those two poor dears like this by surprise? Certainly not!"
"But, Ella, they're expecting six of us to-morrow," remonstrated Frank.
"Very true. But that's not ten of us to-day."
"I know; but so far as the work is concerned, you girls always do the
most of that," cut in Ned.
"Work! It isn't the work," almost groaned Ella. "Don't you see, boys?
It's the excitement--'twouldn't do for them at all. We must fix it some
way. Come, let's go into the waiting-room and talk it up."
It was not until after considerable discussion that their plans were
finally made and their line of march decided upon. To advance in the
open and take the house by storm was clearly out of the question, though
Ned remarked that in all probability the dear old creatures would be
dozing before the fire, and would not discover their approach. Still, it
would be wiser to be on the safe side; and it was unanimously voted that
Frank should go ahead alone and reconnoiter, preparing the way for the
rest, who could wait, meanwhile, at the little hotel not far from the
house.
The short winter day had drawn almost to a close when Frank turned in at
the familiar gate of the Bertram homestead. His hand had not reached the
white knob of the bell, however, when the eager expectancy of his face
gave way to incredulous amazement; from within, clear and distinct, had
come the sound of a violin.
"Why, what--" he cried under his breath, and softly pushed open the
door.
The hall was almost dark, but the room beyond was a blaze of light, with
the curtains drawn, and apparently every lamp the house contained
trimmed and burning. He himself stood in the shadow, and his entrance
had been unnoticed, though almost the entire expanse of the room before
him was visible through the half-open doorway.
In the farther corner of the room a large evergreen tree, sparkling with
candles and tinsel stars, was hung with bags of pink and white tarletan
and festoons of puffy popcorn. Near it sat an old man playing the
violin; and his whole wiry self seemed to quiver with joy to the tune of
his merry "Money Musk." In the center of the room two gray-haired men
were dancing an old-time jig, bobbing, bowing, and twisting about in a
gleeful attempt to outdo each other. Watching them were three old women
and another old man, eating ice cream and contentedly munching
peppermints. And here, there, and everywhere was the mistress of the
house, Lydia Ann herself, cheeks flushed and cap-strings flying, but
plainly in her element and joyously content.
Public-domain text, read in full here on John Shaqi.
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