English fiction -- 20th century; English poetry; Short stories, English
“Thank you! Thank you!” said the Agent-General. “That's what I am always
trying to tell my people.”
“But, my dear fool,” Penfentenyou almost wept, “do you pretend that
these banana-fingered amateurs at home are grown up?”
“You poor, serious, pagan man,” I retorted, “if you take 'em that way,
you'll wreck your Great Idea.”
“Will you take him to Lord Lundie's to-morrow?” said the Agent-General
promptly.
“I suppose I must,” I said, “if you won't.”
“Not me! I'm going home,” said the Agent-General, and departed. I am
glad that I am no colony's Agent-General.
Penfentenyou continued to argue about naval contributions till 1.15
A.M., though I was victor from the first.
At ten o'clock I got him and his correspondence into the motor, and
he had the decency to ask whether he had been unpolished over-night.
I replied that I waited an apology. This he made excuse for renewed
arguments, and used wayside shows as illustrations of the decadence of
England.
For example we burst a tyre within a mile of Credence Green, and, to
save time, walked into the beautifully kept little village. His eye was
caught by a building of pale-blue tin, stencilled “Calvinist Chapel,”
before whose shuttered windows an Italian organ-grinder with a
petticoated monkey was playing “Dolly Grey.”
“Yes. That's it!” snapped the egoist. “That's a parable of the general
situation in England. And look at those brutes!” A huge household
removals van was halted at a public-house. The men in charge were
drinking beer from blue and white mugs. It seemed to me a pretty sight,
but Penfentenyou said it represented Our National Attitude.
Lord Lundie's summer resting-place we learned was a farm, a little out
of the village, up a hill round which curled a high hedged road. Only
an initiated few spend their holidays at Credence Green, and they have
trained the householders to keep the place select. Penfentenyou made a
grievance of this as we walked up the lane, followed at a distance by
the organ-grinder.
“Suppose he is having a house-party,” he said: “Anything's possible in
this insane land.”
Just at that minute we found ourselves opposite an empty villa. Its roof
was of black slate, with bright unweathered ridge-tiling; its walls were
of blood-coloured brick, cornered and banded with vermiculated stucco
work, and there was cobalt, magenta, and purest apple-green window-glass
on either side of the front door. The whole was fenced from the road by
a low, brick-pillared, flint wall, topped with a cast-iron Gothic rail,
picked out in blue and gold.
Tight beds of geranium, calceolaria, and lobelia speckled the
glass-plat, from whose centre rose one of the finest araucarias (its
other name by the way is “monkey-puzzler”) that it has ever been my
lot to see. It must have been full thirty feet high, and its foliage
exquisitely answered the iron railings. Such bijou ne plus ultras,
replete with all the amenities, do not, as I pointed out to
Penfentenyou, transpire outside of England.
Public-domain text, read in full here on John Shaqi.
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