A wide door opened into another apartment where were
many little slanted tables, each under an electric globe with a
green shade. Here a curly-headed scoundrel with a corncob
pipe was hurling paper balls the size of apples at the head of an
industrious man who, under these difficulties, was trying to
draw a picture of an awful wreck with ghastly-faced sailors
frozen in the rigging. Near this pair a lady was challenging a
German artist who resembled Napoleon III. with having been
publicly drunk at a music hall on the previous night. Next to the
great gloomy corridor of this sixteenth floor was a little office
presided over by an austere boy, and here waited in enforced
patience a little dismal band of people who wanted to see the
Sunday editor.
Baker took a manuscript and after glancing about the room,
walked over to a man at another desk,
Here is something that. I think might do," he said.
The man at the desk read the first two pages. " But where is the
photogragh " " he asked then. "There should be a photograph
with this thing."
" Oh, I forgot," said Baker. He brought from his desk a
photograph of the babe that had been born lacking arms and
one eye. Baker's superior braced a knee against his desk and
settled back to a judicial attitude. He took the photograph and
looked at it impassively. " Yes," he said, after a time, " that's a
pretty good thing. You better show that to Coleman when he
comes in."
In the little office where the dismal band waited, there had
been a sharp hopeful stir when Rufus Coleman, the Sunday
editor, passed rapidly from door to door and vanished within
the holy precincts. It had evidently been in the minds of some
to accost him then, but his eyes did not turn once in their
direction. It was as if he had not seen them. Many experiences
had taught him that the proper manner of passing through this
office was at a blind gallop.
Public-domain text, read in full here on John Shaqi.
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