It was publicly believed that the Sunday staff of the Eclipse
must have a kind of aesthetic delight in pictures of this kind,
but Coleman's face betrayed no emotion as he looked at this
specimen. He lit a fresh cigar, tilted his chair and surveyed it
with a cold and stony stare. " Yes, that's all right," he said
slowly. There seemed to be no affectionate relation between
him and this picture. Evidently he was weighing its value as a
morsel to be flung to a ravenous public, whose wolf-like
appetite, could only satisfy itself upon mental entrails,
abominations. As for himself, he seemed to be remote, exterior.
It was a matter of the Eclipse business.
Suddenly Coleman became executive. " Better give
it to Schooner and tell him to make a half-page---or, no, send
him in here and I'll tell him my idea. How's the article? Any
good? Well, give it to Smith to rewrite."
An artist came from the other room and presented for
inspection his drawing of the seamen dead in the rigging of the
wreck, a company of grizzly and horrible figures, bony-fingered,
shrunken and with awful eyes. " Hum," said Coleman, after a
prolonged study, " that's all right. That's good, Jimmie. But
you'd better work 'em up around the eyes a little more." The
office boy was deploying in the distance, waiting for the
correct moment to present some cards and names.
The artist was cheerfully taking away his corpses when
Coleman hailed him. " Oh, Jim, let me see that thing again, will
you? Now, how about this spar? This don't look right to me."
" It looks right to me," replied the artist, sulkily.
" But, see. It's going to take up half a page. Can't you
change it somehow "
How am I going to change it?" said the other, glowering at
Coleman. " That's the way it ought to be. How am I going to
change it? That's the way it ought to be."
" No, it isn't at all," said Coleman. "You've got a spar
sticking out of the main body of the drawing in a way that will
spoil the look of the whole page."
The artist was a man of remarkable popular reputation and
he was very stubborn and conceited of it, constantly making
himself unbearable with covert, threats that if he was not
delicately placated at all points, he would freight his genius
over to the office of the great opposition journal.
" That's the way it ought to be," he repeated, in a tone at
once sullen and superior. "The spar is all right. I can't rig spars
on ships just to suit you."
" And I can't give up the whole paper to your accursed spars,
either," said Coleman, with animation. " Don't you see you use
about a third of a page with this spar sticking off into space?
Now, you were always so clever, Jimmie, in adapting yourself to
the page. Can't you shorten it, or cut it off, or something? Or,
break it-that's the thing. Make it a broken spar dangling down.
See? "
Public-domain text, read in full here on John Shaqi.
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