Alt the end Coleman arose and strolled out of the. room,
smoking a cigarette. He did not betray, a sign. Before. the door
clashed softly behind him, Nora laughed a little defiantly, perhaps
a little loudly. It made every man in the grill-room perk up his ears.
As for her courtiers, they were entranced. In her description of the
conquering man, she had easily contrived that each one of
them wondered if she might not mean him. Each man was
perfectly sure that he had plenty of steel in his composition
and that seemed to be a main point.
Coleman delayed for a time in the smoking room and then went
to his own quarters. In reality he was Somewhat puzzled in his
mind by a projection of the beauties of Nora Black upon his
desire for Greece and Marjory, His thoughts formed a duality.
Once he was on the point of sending his card to Nora Black's
parlour, inasmuch as Greece was very distant and he could not
start until the morrow. But he suspected that he was holding
the interest of the actress because of his recent appearance of
impregnable serenity in the presence of her fascinations. If he
now sent his card, it was a form of surrender and he knew her
to be one to take a merciless advantage. He would not make
this tactical mistake. On the contrary he would go to bed and
think of war,
In reality he found it easy to fasten his mind upon the
prospective war. He regarded himself cynically in most
affairs, but he could not be cynical of war, because had he -
seen none of it. His rejuvenated imagination began to thrill to
the roll of battle,
through his thought passing all the lightning in the pictures of
Detaille, de Neuville and Morot; lashed battery horse roaring
over bridges; grand cuirassiers dashing headlong against stolid
invincible red-faced lines of German infantry; furious and
bloody grapplings in the streets of little villages of
northeastern France. There was one thing at least of which he
could still feel the spirit of a debutante. In this matter of war he
was not, too, unlike a young girl embarking upon her first
season of opera. Walkely, the next morning, saw this mood
sitting quaintly upon Coleman and cackled with astonishment
and glee. Coleman's usual manner did not return until he
detected Walkely's appreciation of his state and then he
snubbed him according to the ritual of the Sunday editor of the
New York Eclipse. Parenthetically, it
might be said that if Coleman now recalled Nora Black to his
mind at all, it was only to think of her for a moment with ironical
complacence. He had beaten her.
Public-domain text, read in full here on John Shaqi.
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