Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“Wretch!” cried Britton; “if your madness may be feigned for all I
know. Swear to me that you will at once, return to Learmont.”
“Return?”
“Ay; you shall not dog my steps. I know not what you mean. You rave,
woman—you rave.”
“Do I rave? Well, well, perhaps ’tis true. But I saw the child.”
“Tell me one thing, Maud. Do you know who that child is?”
There was a pause of a moment and Ada’s heart beat with tumultuous
emotion, as she thought that now she might hear by this strange
accidental meeting the secret of her birth.
“Yes,” said Maud; “yes—I know.”
“You are sure,” said Britton.
“I know, I know,” repeated Maud.
“Then, if there is a heaven above us, or a hell beneath us,” cried
Britton, “you shall not leave this bridge alive.”
“Hush—hush!” cried Mad Maud, “I have dreamt it often, and believe it.
You are to die before I do; it is so arranged, Andrew Britton.”
Ada looked out with trembling apprehension from her place of
concealment, and she saw, by the rapidly increasing light of the coming
day, the savage smith casting rapid glances around, as if to assure
himself that no one was within sight of the deed of blood he was about
to commit. For a moment an awful apathy crept over the heart of Ada,
and she felt as if she were condemned to crouch in that little alcove
without power of voice or action, and see the murder committed.
Mad Maud did not appear to have comprehended the last muttered threat
of Britton, for she stood with her arms folded across her breast,
murmuring in a low tone to herself, and apparently unheedful even of
the presence of her enemy. Ada then saw the smith fumble awhile in his
breast, and then he drew forth a knife. She saw it glitter in the faint
light.
“Yes, yes,” said Maud, in a low tone, “I recollect all, or nearly all.
How difficult it is to separate the dreams from the reality. The spirit
of the dead man still haunts the place! Yes; that is real! He cries for
his child!—His little child!—And there is a garb on his breast! Let me
think. How has he lived so long after his murder? Oh, yes—I know now:
it is by drinking the blood continually from his own wounds! Ay, that
would preserve him!”
Britton made a step towards her.
“The child!” she cried suddenly.
“You shall torment me no longer,” he cried.
“Ha!” shrieked Maud, as she saw the knife uplifted, “you dare
not—cannot do it!”
She shrank back, but Britton followed close upon her, Ada again saw the
knife uplifted, and by a violent effort, like a person recovering from
a nightmare, she screamed.
The sound seemed to Britton so great a surprise, that he staggered, and
dropped the knife from his trembling hand.
Her own voice appeared to have broken the spell of horror that bound up
the faculties of Ada, and now, by an impulse which lent her strength
and courage, she rushed from the place of concealment, and, snatching
the knife from the ground, she fled quickly along the bridge, crying,
“Help!—Help!”
Public-domain text, read in full here on John Shaqi.
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