Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
She had not proceeded many paces when she was caught in the arms of
some one who cried,—
“Hilloa!—hilloa! What now, little one?”
“Help!—Murder on the bridge!” cried Ada. “Oh!—Haste!—Haste!—Save the
woman!”
It was the watchman going his rounds, and he hurried onwards, as fast
as his chilled limbs would permit him, towards the spot indicated by
Ada, who closely followed him.
“He has killed her!” exclaimed Ada, as she saw Maud lying apparently
lifeless on the stones.
“Murder done!” cried the watchman.
Ada cast an anxious glance around her, and she thought that at the
further extremity of the bridge she caught sight of the flying figure
of the man who she believed had done the deed.
“There!” she said, pointing in the direction—“Pursue him!—There flies
the murderer!”
The watchman immediately threw down the lantern, and with a great
clattering of his iron-shod shoes, rushed across the bridge.
“Alas!—Alas!” cried Ada, clasping her hands. “What can all this mean?
Who is this poor mad creature?—And who that fearful man? The mystery in
which my birth, name, and fate is involved, grows more and more
inexplicable. Was it of me she talked so strangely and so wildly? Oh!
If she could but breathe to me one word, to assure me that Jacob Gray
was not my father, how richly would the terrors of this fearful night
be repaid!”
Ada knelt by the body of Maud as she spoke, and placed her hand over
her heart, to endeavour to trace some sign of vitality.
“She lives—she lives!” suddenly cried Ada, as she felt the regular
beating of the organ of life. “Perchance the villain has only struck
her. He may not, after casting away his knife, have had the means of
harming her very seriously.”
A deep groan now came from the lips of the insensible woman.
“Speak—oh, speak!” cried Ada.
Maud opened her eyes. They glared with the wild fire of insanity on Ada.
“Do you know me?” said the girl.
“Know you?—Know you? Are you an angel or a devil?”
“Alas!” cried Ada. “There is no hope.”
Maud passed her hand across her eyes for several moments as if trying
to clear the mist that beset her memory and mental faculties. Then she
said,—
“Where is he?”
“The man you were talking with?”
“Yes, Britton, the savage smith of Learmont.”
“He has fled.”
“Yes—yes—fled. He was pursued by the dead man asking for his child.”
“What child?” said Ada, in a voice trembling with anxiety.
“I saw its little arms cling round its father’s murderer. I heard him
shriek—I heard him say the hell of conscience had began its awful work
within his guilty breast.”
“The child—the child,” cried Ada,—“what was its name? Oh, tell me, if
you can, its name?”
Public-domain text, read in full here on John Shaqi.
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