Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“Then came one into the church, and whispered to my father. I saw his
cheek grow pale! I saw him clutch at the altar rail for support! At
that moment, I thought I should have died, for I knew that something
had been whispered which was too horrible to speak aloud.
“By a violent effort, I preserved myself from fainting, and rushed to
my father.
“‘Tell me—tell!’ I shrieked. ‘What has happened? Father, suspense will
kill me.’
“‘He is dead!’ was the reply.
“I heard no more—I saw no more! For many months they told me I lay a
breathing senseless form, and then I awakened, and my first words were,
‘Take me to him!’
“They told me then that the grave had long since received its tenant,
and by degrees I learned from them that my lover—my husband in the
sight of Heaven, had been found a mangled corpse at the foot of a deep
precipice.
“He must have fallen over, they told me, but I knew better; something
whispered to me that Andrew Britton did the deed.
“Since then I know not what has happened. Once I awoke and found myself
chained to a stone wall in a gloomy cell; then again I was thrust out
from somewhere, and a voice told me to be gone, for I was harmless. So
I became Mad Maud as I am, and I follow Britton the Savage Smith,
because he is to die before I do, and then I shall meet my lover
again—and do you know that some sunset, by the great bounty of Heaven,
he will come again—when the murder is found out; yes, yes, when the
murder is found out. Ha! Ha! Ha!”
Again the maniac’s eye glanced with the wild fire of insanity, and poor
Maud was lost once more in the wanderings of her imagination.
The sympathies of Ada had been so strongly excited by the narrative of
poor Maud that she had allowed the lucid interval of the poor maniac to
pass away without questioning on the subjects nearest and dearest to
her. With a hope that even yet it might not be too late to glean some
information from her, she said,—
“What murder do you mean?”
“The murder at the Old Smithy,” replied Maud. “You saw the man as well
I—we all saw him.”
“When was that?” asked Ada.
“Last night! Last night! Hark, the wind is still around the Old Smithy.”
“’Tis all in vain,” sighed Ada. “The time is past.”
It now suddenly struck Ada that there would be extreme danger to the
poor creature should she stay till Jacob Gray came home; and as the sun
was just dipping into the western horizon, she said to her,—
“Take with you all these victuals,—I have no power here to prolong your
welcome.”
“The child of the dead! The child of the dead!” muttered Maud, totally
unheeding what Ada said.
“Let me now entreat you to go,” said the alarmed girl. “There will be
one here by sunset who has no feeling, no mercy.”
“That must be Britton, the Savage Smith,” cried Maud.
“No, ’tis one Jacob Gray. Heard you ever that name before?”
“Jacob Gray!” repeated Maud, evidently with no sort of recognition of
the name. “I will sing to him and you.”
“Go; let me entreat you to go,” cried Ada.
Public-domain text, read in full here on John Shaqi.
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