Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
Maud heeded her not, but began to sing in a wild but sweet voice,—
“Who loves the bleak night wind,
That roars ’twist earth and sky,
Say, is its loud voice kind?
Not I—not I.
“That’s a brave song, but cheerless. I love the day and the sweet
sunshine. Here’s another for thee, maiden; ’twill suit thy young heart:
“Love’s like a rainbow,
Why, maiden, why?
It opens from the earth
Up to the sky!
A young heart’s passion
Is all as bright
As that purest arch
Of Heaven’s own light.
“Like ye that, young heart? Alas! ’Tis long since I learned the ditty.
Hark ye, here is one more sad and sombre, for I see the tear-drop in
your eye. Hark—hark:—
“The storm bird may scream
O’er the desolate moor,
And the north wind blow wide
The poor cottager’s door.
The snow drift may level
Mountain with plain,
But the sunlight will come,
And the birds sing again.
But, oh! the fond heart
Which one storm has swept o’er,
Can ne’er know the peace,
It rejoiced in before.”
As the last sound of the poor creature’s voice ceased, Ada clasped her
hands and uttered a cry of terror, for she heard without the low
whistle which she had been taught by Gray to recognise as the signal of
his return.
CHAPTER XXXI.
The Interview.—Jacob Gray’s Meditations.—The Slip of Paper.—The
Nail.—The Guilty Conscience.—The Departure.
For perhaps the space of a minute, Ada lost the power of action; but
the stern necessity of doing something to save the poor creature from
the death which Jacob Gray’s fears would, she doubted not, induce him
to put her to, braced the nerves of the young girl.
She took Maud by the arm, and looking her earnestly in the face, she
said,—
“What was the name of him you loved?”
Maud pressed her hand upon her brow for a moment as if striving to
comprehend the question; then she replied,—
“His name was William Heriot.”
“Then follow me, and speak not for his sake, as you hold his memory
dear.”
“To the world’s end! To the world’s end!” said Maud.
Ada heard the outer door now close, and she was sure that Gray was in
the passage. He might, or he might not, enter the room in which she and
Maud were, the door of which was within a few paces of the steps. Oh,
how dreadful to poor Ada were the few short, but to her awful moments
that elapsed before she felt convinced that Gray had passed the door,
he always trod slowly and stealthily even in that lone house, for
caution and suspicion had grown so habitual with him, that even in
security he could not shake off the actions which rendered those
feelings manifest.
It was difficult, therefore, for Ada to trace his footsteps, or come to
any positive conclusion as to what part of the house he had proceeded
towards.
One thing only she could feel certain of from the duration of time, and
that was, that the immediate danger of his entering the room in which
she and Maud were was past, unless he were lingering in the passage,
which she had never yet known him to do.
Public-domain text, read in full here on John Shaqi.
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