Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
There were about the stained windows and carved oaken chimney-piece
ample evidences of ancient grandeur in the place, and it was not a
little singular to notice the strange effect produced by the mixture of
the rude implements of the smith with the remains of the former
magnificence of the ancient hall.
A blazing fire was roaring on the hearth, and by it stood Andrew
Britton, the smith, or “The Savage,” as he was called, in consequence
of the known brutality of his disposition. There was no other light in
the large apartment but what proceeded from the fire, and as it flared
and roared up the spacious chimney it cast strange shadows on the dusky
walls, and lit up the repulsive countenance of the smith with
unearthly-looking brilliancy. A weighty forge hammer was in his hand,
and he was busily turning in the glowing embers a piece of iron upon
which he had been operating.
“Curses on his caution,” he muttered, as if following up some previous
train of thought. “And yet—yet without the work—I think I might go mad;
drink and work. Thus pass my days; aye, and my nights too. He is right
there; I should go mad without the work. I drink—drink till my brain
feels hot and scorching—then this relieves me—this hammer, and I fancy
as I bring it clashing down upon the anvil that—ha! ha!—that some one’s
head is underneath it. And most of all, is it rare and pleasant to
imagine it his head, who turned a cowardly craven when he had work to
do which required a cool head, and a quick hand. Curses on him! Curses!”
He lifted the immense hammer which no ordinary man could have wielded,
and brought it down upon the anvil with so stunning a sound, that it
awakened startling echoes all over the old house.
Suddenly the smith stood in the attitude of attention, for as the
sounds he had himself produced died away, he fancied there mingled with
them a knocking at the door of the smithy.
For a few moments he listened attentively, and then became confirmed in
his opinion, that some one was knocking at his door.
“A visitor to me?” he muttered, “and at this hour—well, well—be it whom
it may, he shall enter. Whether he goes forth again or not is another
consideration. Men call me a savage. Let those beware who seek my den.”
He walked to the door of the smithy, and removing an iron bar which
hung across it, he flung it wide open, saying, “Who knocks at Andrew
Britton’s door?”
The mysterious stranger who had created so much sensation at the
“Rose,” stood on the threshold. His form was clearly defined upon the
snow, and the smith started as he said,—
“Andrew Britton, do you know me?”
“Know you?” said Britton.
“Aye! Look at me.”
The man took off his hat as he spoke, and stood in the full glare of
the flickering fire light.
A dark scowl came over the brow of the smith, and he still continued
silent while the man repeated, “Andrew Britton, do you know me?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account