Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“I knew the spot,” continued Britton, and he lowered his voice to a
whisper, while deep sighs of anguish burst from the labouring breast of
his listener. The snow pattered against the windows of the smithy—a
howling wind swept round the ruined pile of building, and not more wild
and awful was the winter’s storm without than the demoniac passions and
fearful excitement of those two men of blood who conversed in anxious
whispers in the Old Smithy, until the grey tints of morning began to
streak with sober beauty the eastern sky.
CHAPTER V.
The Morning.—A Visit.—Blasted Hopes.—The Arranged Meeting.—The
Packet.—And the Knife.
The snow storm had ceased, and a clear cold winter’s sun rose upon
Learmont, making even stern winter look most beautiful. The snow hung
in sparkling masses upon every tree and shrub, and in the valley where
the village nestled, it was in some places many feet in depth. The
little streamlet which ran through the village in the summer time, with
a happy murmuring sound, was now still and voiceless, and scarcely to
be distinguished from the surrounding land. Curling masses of dense
smoke arose from the chimneys of the thatched cottages. The robin sang
his plaintive ditty on the window sills, and occasionally might be seen
a group of children with their scanty garments repairing to the frozen
stream to gambol on its slippery surface.
Far above every other habitation in the place, towered the feudal
residence of the Learmonts. It was an ancient residence built in Gothic
style of architecture, and its blackened walls and time-worn towers
looked more than usually stern and desolate now that they were
contrasted with the pure white patches of snow that had lodged on every
projecting stone and window ledge.
In a chamber situated nearly in the very centre of the mansion, the
windows of which were provided with painted blinds, representing the
most beautiful and glowing Arcadian landscapes, and the temperature of
which was raised fully to that of summer, sat the same tall,
dark-browed man, who ten years before had visited the deserted hovel of
the Widow Tatton. Time had not swept harmlessly over Squire Learmont.
His raven locks were largely mixed with “hoary grey.” The deep olive of
his complexion had given way to a sickly sallow tint, which was
peculiarly disagreeable to look upon—but in all other respects the man
was the same. There was the same contemptuous curl of the lip—the same
angry contraction of the brow, and the same ever-shifting glance and
restlessness of manner which betokened a heart ill at ease with itself.
Public-domain text, read in full here on John Shaqi.
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