Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
Obedient to a signal, the musicians again filled the air with joyous
sounds, and Learmont stood and listened with delight, forgetting in
those moments everything but his own present greatness and wealth.
“Yes,” he said, when the strain ceased, as if pursuing a previous train
of thought: “this is the way to forget. Steep the senses in enjoyment,
and the conscience will have no room for action; wine, music, the
dance, the smile of beauty, all shall contribute to my enjoyment, and
life shall be—”
“May it please you, honourable sir, some one desires speech of you,”
said a domestic.
“Say I am occupied,” replied Learmont, and he again resumed his glowing
meditations. “Nobility,” he muttered, “will crowd to my fêtes, even
royalty might borrow new grace and dignity from the halls of Squire
Learmont. But that shall not long be my designation. Wealth in England
can purchase anything, and titles are easily procured where the price
is of little moment. I will be ennobled and—”
“Your pardon, sir,” said the servant, returning, “but; the stranger
will not take a refusal.”
“Ha! He will not?”
“An’ it please you, sir, he will not go.”
“Have I not idle knaves enough about me to drive an insolent intruder
from my doors?”
“’Tis a rude knave, your worship.”
“Cast him into the street. How dare he say he will see the master of
Learmont?”
“It shall be done, sir. To come here talking about an Old Smithy.”
Learmont caught the muttered words of the man as he was hurrying from
the hall, and a cry of pain and horror escaped him as he rushed
forward, and seizing the terrified servant by the arm, he cried—
“What—what manner of man is he who seeks me with such pertinacity?”
“A rough knave, an’ please you, sir; coarse of speech and appearance.”
“And—and he said—what?”
“He said he brought a message from the Old Smithy!”
A deadly paleness came across Learmont’s face, as he said in a husky
whisper, “Show him into a private room and tell him I will be with him
soon. Begone, knave, nor stand gaping there.”
The terrified servant darted from the hall, and Learmont turning to the
throng of domestics who were standing at a respectful distance from
him, cried—
“Lead on. To my chamber, and bid yon knave bring me word in what
apartment he has placed this—this—visitor.”
The servants hastened to throw the doors wide open for their imperious
master to pass out, but his mood was changed. The glow of triumph, and
gratified pride no longer lent a glow to his sallow cheek, nor lit up
his deep-sunken eyes with brilliancy. There was a load of care and
anxiety, almost amounting to agony, upon his face. His contracted brow
bespoke deep and anxious thought, and his limbs trembled as he left his
hall of light and beauty to seek an interview with the man who, he had
always dreaded, would exercise the power he had of stepping between him
and his moments of forgetfulness and consequent enjoyment.
CHAPTER XII.
Public-domain text, read in full here on John Shaqi.
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