Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion — John Shaqi
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“Aye—it is at the Old Smithy! The time has come—I knew. I have told you
all; you, and you, and you, I’ve told. Ha! Ha! Ha! Heaven has at last
forged a bolt for the Old Smithy! Do you stand aghast! Can you put out
yon light? No—no—no! I know you cannot. The Old Smithy gone at last.
Ha! Ha! I am happy now—happy now! You do not stir. You are right—quite
right. Let him, Andrew Britton—that’s his name—let him roast and writhe
in the flames—let his skin blacken in curling lights—let his flesh drop
from him in the hissing, roaring fire—let his bones whiten, and glow,
and crackle into long white splinters, as they will—as I know they
will; but I want to see it, my masters—I want to see it. Live—live and
shriek, Andrew Britton, till I come. Hark! now. I hear him.
Hark!—music—music—’tis music.”
She was about to bound off in the direction of the blazing house,
leaving her listeners aghast at her terrible denunciations, when a man
of forbidding aspect and Herculean build rushed into the midst of the
throng of villagers round her, and with one blow of his clenched hand
struck her insensible to the earth.
A cry of “shame! shame!” arose, and a young man stepping forward,
exclaimed,—
“Unmanly ruffian! How dared you strike the woman? You know as well as
all we that she is mad. Andrew Britton, you are a coward, and well you
merit your name of ‘The Savage.’”
“Down with the savage!” cried several.
“He has killed poor Mad Maud,” said one.
“Is she not always crying out against me?” growled the ruffian. “Is
there anything too bad for the old beldame to say of me, Andrew
Britton?”
“Not dead! not dead!” suddenly cried she whom the villagers called Mad
Maud, springing to her feet. “Mind ye all, Andrew Britton is to die
before I do. Ha! Ha!—Not dead! To the Smithy—to the Smithy.”
She darted off in the direction of the blazing house, and, as if by one
impulse, the villagers followed her, shouting,—
“To the Smithy—to the Smithy!”
The building, which was in flames, had at one time evidently been of a
much higher character than its present appearance warranted. It
consisted of a large uninhabited house, with two wings, one of which
had been converted into a smithy, and was in the occupation of Andrew
Britton, the smith, who stood high in favour of the then Squire
Learmont, whose property the old house was.
The fire was in the other wing to that which had been converted into a
smithy, and when the villagers arrived they found it so enveloped in
flames, that any attempt to save it seemed perfectly in vain.
“Blood—blood is spilling,” cried Mad Maud, rushing close to the flaming
building. “I heard it. A deed of blood! Hark!—hark!”
The villagers were horror-stricken by hearing piercing shrieks coming
from the interior of the burning house.
“There!” cried the maniac exultingly; “that’s a death cry. Ha! Ha! Ha!
Brave work—brave work. Andrew Britton, where are you?”
“Here,” cried the smith. “Look at me, all of you, and swear hereafter
you saw me here while—while—”
Public-domain text, read in full here on John Shaqi.
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