Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
“She—she surely sleeps sound,” he muttered through his clenched teeth,
“or all these clocks with their solemn and prolonged echoes must have
awakened her. Yes; I—I—hope she sleeps sound. I—would not have a
struggle—a struggle. Oh, no, no, not for worlds. I—can fancy her
clinging to the knife and screaming—shrieking even as—as—her—father
did—when he had his death wound. That would be horrible. Oh, most
horrible—and yet I must kill her. I must kill her. Did she not brave me
to my face? Did she not tell me that she suspected me and my motives,
and that no more would she keep herself immured for my sake? I—she—she
did, and more than this, far more, she taunted me with. Yes—I—I am
quite justified—she must die!”
The door which led into the inner chamber was in two compartments, and
when Gray gently pushed against them, they both opened slightly, and
the dim, sickly light of a lamp from the interior room, to his
surprise, gleamed through the crevice, meeting the kindred ray of the
one which Jacob Gray had placed so carefully out of the way of, as he
thought, the eyes of the sleeping girl.
He crept into the room, and stood motionless for many minutes,
regarding the sight that met his eyes. Seated by a small table, on
which was the lamp dimly burning and near its expiration, was Ada,
completely dressed, but fast asleep. Her face rested partially upon an
open book, which she had evidently been reading before retiring to
rest, when sleep must have come upon her unawares, and sealed her
eyelids in forgetfulness.
Her long hair fell in beautiful disorder upon the table, and the one
eyelash that was visible hung upon her fair cheek wet with tears. She
had been weeping, but whether from some vision that crossed her
slumbers, or from lonesome and unhappy thoughts previous to dropping
into that temporary oblivion of sorrow, could not be known.
Jacob Gray stood like one spell-bound by some horrible apparition, for
to the wicked can there be a more horrible apparition than youth,
beauty, and innocence?
“She—she sleeps,” he gasped; “but by some strange fatality has not
retired to bed. My—my task is now ten times more difficult. I—I know
not what to do.”
The knife trembled in his grasp, and he shook vehemently; then, as a
low murmuring sound escaped the lips of Ada, he sunk slowly down, first
crouchingly, then on his knees, and lastly he grovelled on the ground
at her feet in mortal agony, lest she should awaken and see him there,
with those starting eyes, those livid lips and that knife, which he
came to bury in her innocent and gentle heart.
Some fearful vision was passing over the imagination of the sleeping
girl. Fancy was busy in the narrow chambers of the brain, and pictured
to her some scene of sorrow or terror; deep sobs burst from the
breast—then she spoke, and her words thrilled through Jacob Gary like
liquid fire.
“Spare, oh, spare him!” she said; “he is my father—my own father. Spare
him; oh, spare—spare—”
Public-domain text, read in full here on John Shaqi.
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