Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
She awoke not even in her agony of spirit, but wept bitterly; then the
tears decreased and sobs only were heard; the vision, like a
thunder-storm, was passing away, low moans succeeded, and finally all
was still again.
It was, however, many minutes before Jacob Gray again rose from his
crouching position of abject fear, but at length he did so, and with
the glittering knife in his hand, he stood within a pace of his
innocent victim.
Then arose in his mind the awful question of where should he strike?
And, like a vulture, he hovered for a time over his prey, with the
fatal steel uplifted, doubting where he should make the sudden swoop.
By an accidental parting of the silken curls that floated upon Ada’s
neck and shoulders, he saw a small portion of her breast; it was there
then he determined to strike. He glanced at the blade of the knife, and
he thought it long enough to reach even to her heart.
“Now—now!” he groaned through his clenched teeth. “Now!”
The steel was uplifted; nay, it was upon the point of descending, when
one heavy knock upon the outer door of the lone house echoed through
the dreary pile, and arrested the arm of the murderer, while the blood
rushed in terror like a gush of cold water to his heart.
There was then an awful silent pause, when again that solemn heavy
knock awakened the echoes of the empty house.
Slowly, inch by inch, as if his arm worked by some machinery, Jacob
Gray brought the knife by his side, and still bending over the
unconscious Ada, he listened for a repetition of that knock, as if each
melancholy blow was struck upon his own heart.
Again it came, and then again more rapidly, and Jacob Gray trembled so
violently that he was fain to lean upon the table at which Ada slept
for support.
That movement awakened Ada, and starting from her position of rest, she
suddenly, with a cry of surprise, confronted the man who had sought her
chamber with so fell and horrible a purpose. One glance at the knife
which Jacob Gray held in his hand, and then a searching look at his
face, told her all. She clasped her hands in terror as she exclaimed—
“You—you—come to kill me?”
“No—no,” stammered Gray, trying to smile, and producing his usual
painful distortion of features. “No—no—I did—not—no—no! Ada, I did not.”
“That knife?” said Ada, pointing to it as she spoke.
“The knife,” repeated Gray. “Hark, some one knocks, Ada, at our lonely
home.”
“Those looks of terror,” continued the young girl, “those blanched
cheeks, those trembling hands, all convince me that I have escaped
death at your hands.”
“No; I say no,” gasped Gray.
“And my hound too,” added Ada: “my fond, faithful dog, where is he,
uncle Gray?”
“Yes; the dog,” cried Gray, eagerly catching at the hope of persuading
her that it was solely to compass the destruction of the hound he had
thus stolen to her room. “I admit I did seek the dog’s life; you vexed
me about the animal.”
Public-domain text, read in full here on John Shaqi.
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