Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
The knocking at the door sounded now more loudly than before, and the
knocker was evidently plied by an impatient hand.
“Hark, hark!” cried Gray. ”Ada, hear me; whoever knocks without can be
no friend of ours.”
“Indeed?” said Ada.
“’Tis true; I am the only friend you have in the wide world.”
“You mean, I suppose, since you have killed my poor dog,” said Ada,
pointing through the open doorway to the inanimate body of the animal.
“The dog is dead,” said Gray.
“Uncle,” replied Ada, mildly, but firmly; “now hear me. You have broken
the compact. Let those who knock so loudly for admission enter, I will
not avoid them. Were they ten times my enemies they could not be more
cruel than thou art.”
“Ada, you know not what you say,” cried Gray. “They cannot be friends,
and, they may be foes. ’Tis light enough for me to note them from a
lower window. Yes, I will see, I will see. Remain thou here, Ada. Stir
not—speak not.”
“I promise nothing,” said Ada. “You shall no longer prescribe rules of
conduct for me, uncle Gray. I tell you I will promise nothing.”
Gray made an impatient gesture with his hands, and quitted the room. He
repaired to a window on the ground floor, in one corner of which he had
made a clear spot for the express purpose of reconnoitering the
doorway, and applying his eye now close to this, he could by the dim
light trace the forms of two men upon his threshold. Too well were
those forms engraven on his memory. It needed not a second glance to
tell him that the savage smith, Britton, and Squire Learmont were his
unwelcome and most clamorous visitors.
Now, indeed, the measure of Jacob Gray’s agony appeared to be full. For
a moment he completely surrendered himself to despair; and had Learmont
then forced the door, he would scarcely have made an effort to escape
the sword of the man of blood.
“Ha! Ha!” he heard the smith say; “I like to knock thus, it alarms
poor, clever, cunning Jacob. It shatters his nerves. Oh, oh, oh!”
“Can you depend on the men you have placed at the back of the house to
intercept his escape that way?” said Learmont.
“Depend upon them?” replied Britton. “Of course. They ain’t paid, and
are quite sober, as you see; they are ready for any cut-throat
business. Let’s knock again. Oh, oh, how Jacob Gray must be shaking!”
The taunts of the smith seemed to act as a stimulant to the sickened
energies of Gray. He roused himself and muttered, as he shook his
clenched hand in the direction of the door—
“Indeed, Master Britton. Do not even yet make too sure of cunning Jacob
Gray. He may yet prove too cunning for the sot, Britton. You think you
have me so safely that you can afford to tantalize me by knocking, when
a small effort of your united strength would burst yon frail door from
its frailer hinges. We shall see—we shall see.”
He bounded up the staircase to the room in which he had left Ada. She
was standing by the body of the dog with the lamp in her hand.
Public-domain text, read in full here on John Shaqi.
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