Addie's Husband; or, Through clouds to sunshineGordon Smythies, Mrs.
General
Addie's Husband; or, Through clouds to sunshine
Gordon Smythies, Mrs.
Dime novels; England -- Social life and customs -- 19th century -- Fiction; Husband and wife -- Fiction
"I suppose," she muses, with a little ruefulness, "if the boys and
Polly knew, they would think it awfully mean of me, feeding on the
enemy like this; but--but--I really can not help it--I'm half famished.
Perhaps, if they hadn't eaten anything from seven A.M. until five P.M.
but half a moldy apple, they wouldn't be so particular. I don't know
about Bob, though; I think his pride would stomach a longer fast than
that. I don't believe any strait of body would induce him to eat a crumb
under this roof now--and yet Mr. Armstrong hasn't behaved so badly. I
might have been lying in the wood but for him. Oh, dear, how horrible!
I've actually cleared the whole plate of toast alone! I--I hope he won't
notice; I'll shove the dish behind the urn. Yes; he can't see it there.
How did I do it? I never felt myself eating. That cake is delicious
too--better than any of Sally's. I feel so much better now; I suppose it
must have been hunger that helped me to go off in that ridiculous
fashion in the grove."
Her head sinks back pleasantly on the soft cushions; she looks out on
the sunny lawn and the timbered wealth she knows so well. Both the
windows are wide open, and a faint evening breeze brings to her couch
a breath of mignonette from a parterre outside, which her mother laid
out with her own hands when she came to Nutsgrove, a happy bride,
twenty-two years before. A thrush that has yearly built his nest in
the heart of the gloire de Dijon, the shining leaves of which are
fluttering against the casement, bursts into song. Addie closes her
eyes, and she is at home once more, living over again the sweet spring
evenings of her blissful neglected youth. Armstrong of Kelvick and his
trim purified apartments vanish into space; the notched and rickety
chairs are back again, the threadbare carpet with its sprays of dim
ghostly terns, the dusky curtains. Her work-box is standing in its old
place, she hears Pauline's light footsteps flying down the stairs, the
boys are calling the dogs
"With wild halloo and brutal noise"
away to "marshy joys" in the grove, and old Sally is hunting the
chickens out of the kitchen with a peculiar hooting noise that no
throat but her own can produce.
"Miss Lefroy, you have not answered my question yet. You were very fond
of Nutsgrove, were you not?"
She starts up, an angry crimson dyeing her face, to find her host
leaning forward, his keen hazel eyes fixed intently on hers. She
answers vehemently, passionately--
Public-domain text, read in full here on John Shaqi.
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