The drama, _Adrienne Lecouvreur_, by Scribe and Legouvé, was written in
1848. Owing to the changing political conditions of the time, its
presentation was delayed until the following year. During this period
it is probable that certain alterations and additions were made in the
play. In its completed form it was given for the first time at the
Théâtre-Français, April 14, 1849. The celebrated actress Mlle. Rachel
appeared in the title rôle.
It is a so-called _comédie-drame_--a play in which there is a mingling
of comic and tragic elements. It ends in tragedy.
The play deals sympathetically with the love of the talented Adrienne
Lecouvreur, of the Comédie-Française, and Maurice, comte de Saxe
(1696-1750). It portrays in a vivid and interesting way the rivalry and
hostility of the Princesse de Bouillon and the tragic death of Adrienne.
The close connection of the plot with the Comédie-Française, where the
entire second act takes place,[A] and the many literary allusions add
much to the interest.
[A] The idea of a play within a play may possibly have been suggested
by the tragedy of _Saint Genest_ (1645) by Jean Rotrou (1609-1650).
The action takes place at Paris in the month of March, 1730.
_Adrienne Lecouvreur_ is a skillfully written play. Francisque Sarcey
(1827-1899) calls it “une pièce bien faite et très bien faite.”
(_Quarante ans de théâtre_, IV, 261.) In general construction it is a
compromise between the conflicting ideas of the classicists and the
romanticists. This is evident in the treatment of the three unities.
Unity of action is maintained, although several subordinate intrigues
are suggested. Unity of place, in the strict sense, is disregarded,
since the five acts occur in five different places. However, all are at
Paris. Unity of time is essentially preserved, although its limits are
somewhat exceeded.
Public-domain text, read in full here on John Shaqi.
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