DICK. In the early days at home--that is, when the sun shone--we played cricket and baseball and football in our very spacious back yard, and the programme of our sports was always subject to Richard's change without notice. When it rained we adjourned to the third-story front, where we played melodrama of simple plot but many thrills, and it was always Richard who wrote the plays, produced them, and played the principal part. As I recall these dramas of my early youth, the action was almost endless and, although the company comprised two charming misses (at least I know that they eventually grew into two very lovely women), there was no time wasted over anything so sentimental or futile as love-scenes. But whatever else the play contained in the way of great scenes, there was always a mountain pass--the mountains being composed of a chair and two tables--and Richard was forever leading his little band over the pass while the band, wholly indifferent as to whether the road led to honor, glory, or total annihilation, meekly followed its leader. For some reason, probably on account of my early admiration for Richard and being only too willing to obey his command, I was invariably cast for the villain in these early dramas, and the end of the play always ended in a hand-to-hand conflict between the hero and myself. As Richard, naturally, was the hero and incidentally the stronger of the two, it can readily be imagined that the fight always ended in my complete undoing. Strangulation was the method usually employed to finish me, and, whatever else Richard was at that tender age, I can testify to his extraordinary ability as a choker.