Adventures in SilenceCollingwood, Herbert W. (Herbert Winslow)
Science
Adventures in Silence
Collingwood, Herbert W. (Herbert Winslow)
Deafness
It was true. Her ears had become so accustomed to the harsh noises of
the city that every nerve and faculty had been tuned to them. The quiet
of the country was as irksome to her as the constant city noises are
annoying to the countryman, just from his silent hills. Perhaps you
have awakened suddenly in the night in some quiet country place, let us
say in the loneliness of Winter in the hill country. You looked from
the window across the glittering snow to the dark pines which seemed to
prison the farm and house. You fancied that you had finally reached
the world of silence, and you were seized by a nameless terror as you
imagined what would happen to you if sight were suddenly withdrawn. Then
you heard the timbers of the house creak with the cold, the friendly
wind sighed through the trees and around the corner of the house. There
came faint chords of weird music as from an æolian harp when it passed
over some wire fence. Or perhaps there came to you the faint step of
some prowling animal. Then the terror vanished before these sounds of
the night. For this is not the world which I ask you to enter with me.
We are bound for the world of the deaf. I tell you in advance that it
is a dull, drab world, without music or pleasant conversation, into
which none of the natural tones of the human voice or the multitudinous
sounds of nature can come. You must leave them all behind, and you will
never realize how much they have meant to you until they are out of your
reach. Could you readjust your life for a new adventure in this strange
world?
The deaf man must carry this world of silence about with him always,
and it leads him into strange performances. I know a deaf man who went
to a church service. He could hear nothing of the sermon, but he felt
something of the glory of worship, and when the congregation stood up to
sing my deaf friend felt that here was where he could help.
“Just as I am, without one plea,” announced the preacher, and the deaf
man’s wife found the place in the hymn book. He sang along with the rest
and thoroughly enjoyed it. However, one of the penalties of the Silent
Country is that its inhabitants can rarely keep in step with the crowd.
My friend did not realize that at the end of each verse the organist was
expected to play a short interlude before the next verse started. There
has never seemed to me to be any reason for these ornamental musical
flourishes; they merely keep us from getting on with our singing.
The deaf man knew nothing of all this. He was there to finish the
singing of that hymn. It is a habit of the deaf to go straight to the
end, since there is no reason why they should stop to listen. So he
started in on the second verse as all the rest were marking time through
that useless interlude, and he sang a solo:
“Just as I am, and waiting not!”
Public-domain text, read in full here on John Shaqi.
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