Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and PoetsHartley, Marsden
History
Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and Poets
Hartley, Marsden
Art; Literature, Modern -- History and criticism; Vaudeville
Thompson was seraph from the first. You see the very doom burning out
of his boy's eyes in the youthful portrait, and you see the logical
end in that desperate and pitiful mask, the drawing of the last period
in the Meynell Book. His was certainly the severed head, and his feet
were pathetically far away, down on a stony earth. That he should have
forfeited the ordinary ways of ease, is as consistent with his
appearance, as it was necessary to his nature. That he should find
himself on the long march past the stations of the cross, to the very
tree itself, for his poetic purpose, if it is in keeping with
tradition, is not precisely the most inspiring aspect of human
experiences. Human he was not, as we like to think of human, for he
was too early in his career marked for martyr. There is the note of
cricket-time in his earlier life, and how long this attached to the
physical delights of his being cannot be told here. His eyes were
lodged too far in heaven to have kept the delights for long, to have
comprehended all that clogged his impatiently mercurial feet.
"The abashless inquisition of each star" was the scrutiny that
obsessed his ways, the impertinence that he suffered most; for he had
the magnitude of soul that hungered for placement, and the plague of
two masters was on him. Huntress and "Hound" he had to choose between,
beauty and the insatiable Prince; harsh and determined lovers, both of
them, too much craving altogether for an artistic nature. The earth
had no room for him and he did not want heaven so soon. He was not
saint, even though his name followed him even, for recognition.
"Stood bound and helplessly, for Time to shoot his barbed minutes at
me, suffered the trampling hoof of every hour," etc., all this
confided to some childish innocent in "The child's kiss". Whom else
should he tell but a child? Where is the man or woman with
understanding but has the "child" lodged somewhere for sympathy, for
recognition? The clearest listener he could find, and the least
commiserative, happily. "The heart of childhood, so divine for me", is
but typical of a being so dragged, and emaciate with the tortures of
the body, in earth places where no soul like his could ever be at
home. What was Preston, or Ashton-under-Lyne to him, more than Kensall
Green is to him now? What is such dust in his sky but some blinding
and blowing thing? What is there for singer to do but sing until the
throat cracks? Even the larks and the thrushes do that. They end their
morning and evening with a song. He was brother to these birds in that
loftiness. He sang, and sang, and sang, while flesh fainted from
hunger and weakness.
Public-domain text, read in full here on John Shaqi.
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