Adventures of a Soldier, Written by Himself: Being the Memoirs of Edward Costello, K.S.F. Formerly a Non-Commissioned Officer in the Rifle Brigade, Late Captain in the British Legion, and Now One of the Wardens of the Tower of London; Comprising Narratives of the Campaigns in the Peninsula under the Duke of Wellington, and the Subsequent Civil Wars in Spain. — John Shaqi
Adventures of a Soldier, Written by Himself: Being the Memoirs of Edward Costello, K.S.F. Formerly a Non-Commissioned Officer in the Rifle Brigade, Late Captain in the British Legion, and Now One of the Wardens of the Tower of London; Comprising Narratives of the Campaigns in the Peninsula under the Duke of Wellington, and the Subsequent Civil Wars in Spain.Costello, Edward
History
Adventures of a Soldier, Written by Himself: Being the Memoirs of Edward Costello, K.S.F. Formerly a Non-Commissioned Officer in the Rifle Brigade, Late Captain in the British Legion, and Now One of the Wardens of the Tower of London; Comprising Narratives of the Campaigns in the Peninsula under the Duke of Wellington, and the Subsequent Civil Wars in Spain.
Costello, Edward
Peninsular War, 1807-1814 -- Personal narratives, British
I think it was on the third day’s march, we had stopped for the night in
a small village, and as it happened, Josh. and I got billeted in the
same house together. Outside our quarters in front of the house, was a
small square (every town, village and pig-stye in Portugal has one,) in
the middle of which and while we were cooking our rations the
inhabitants had commenced a fandango. This also is usual on Sundays in
Portugal. Attracted by the whistle and a small drum beaten by a short,
dumpy, ugly looking lump of a Portuguese, Josh. and I would occasionally
run down to join, and leave our pots beside the Patrone’s wood fire as
close as we could to the red embers. But invariably, when we came in to
take a peep at the boiling progress, we found our utensils moved aside
and the contents as cold as charity. Josh. looked at me, and I at Josh.,
the same as to say, “Who the blazes moves our meat about so?” Josh.
however hearing footsteps on the stairs, popped me and himself after
into a kind of pantry. I partially closed the door, and there we stood
watching.
In a few minutes in came the Patrone or lady of the house, and looking
about her a little, bounced to our little utensils, and was proceeding
to purloin the meat, muttering something to herself at the same moment.
But she had scarcely put a hand to it, when a voice as if from the pot
plainly told her to “Sperum poco,” (wait a little.) The old woman
frisked up, looked doubtful, _crossed herself_, and with the courage
_this_ afforded, again attacked the pot. But the same words only quick
and smart as a rifle shot, sent her reeling and screeching to the corner
of the kitchen. “Oh Santa Maria! oh Jesu, oh la deos! Pedro aye el
demonio ei in panello, (the devil’s in the pot,) Santa Maria
ora—ora—ora—ora pro nobis!” and the good soul went off in a Portuguese
fit.
Josh. and I, scarcely able to contain our mirth, rushed out of the house
instantly and joined in the crowd, which her screams were collecting
about the door-way. The old Patrone, when she recovered, was off in a
twinkling to the Priest and the Alcalde, but it was all in vain, the
billet could not be changed, for the whole village equally feared the
devil, and we held quiet possession till the next morning, and might
have carried away the house for what the old Patrone cared, for she left
her domicile and never returned till we had marched out of the place.
Public-domain text, read in full here on John Shaqi.
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