The tall captain touched his bonnet, and giving the order—"Grenadiers,
threes right, quick march!" his company, with the band in front, marched
up to the guard-house, where the French guard was under arms; and where,
after all the usual formula, the whole of the sentries and posts were
relieved by the Highlanders.
After delivering Macleod’s order to the different battalions of his
brigade, I selected from the ranks of the Calabrese corps, Luca Labbruta
(or blubber-lipped Luke), a ferocious follower of Santugo, to watch for
Gaspare Truffi (who, not being a French subject, was not included in the
capitulation), and to seize the hunchback the moment the garrison
marched out. He touched his knife with a grim smile of intelligence,
and left me.
The British forces, consisting of the 78th Highlanders, Les Chasseurs
Britanniques, a small party of artillery, and the marines of the
_Amphion_, formed two lines from the gate, facing inwards; and through
this lane the garrison of Crotona were to march. In the rear were drawn
up the ranks of the Free Corps, scowling darkly and handling their
murderous poniards with a sternness of intent and ferocity of manner
which declared how little they relished the modern laws of war, or
understood that chivalric courtesy which brave men may yield to each
other with honour, and which the soldiers of Britain and France can so
well appreciate. Behind these dark-visaged battalions crowded the
people of Crotona; while every window, nook, and corner, were filled
with faces, eager to get a glimpse of their dreaded enemies, on whom
they showered maledictions and abuse without cessation. The picturesque
costumes of the crowd lent additional interest to the scene: the
madonna-like profiles of the women, shaded by their linen head-dresses
falling gracefully on the shoulders, or crowned by luxuriant dark hair
secured by a gilt arrow, agreeably contrasted with the aspect of the
well-mustachioed contadino, grim and swart, half bandit and half
peasant, clad in his shaggy doublet and high hat flaunting with ribands
and the red cockade of Ferdinand IV.; a dagger and horn in his belt, and
the long rifle sloped on his shoulder, as we see him depicted in the
spirited etchings of Pinelli. The buffalo herdsman with his long pole
or glittering ox-goad, the bearded canon with dark robes and shaven
scalp, and a thousand other striking figures made up a scene such as a
painter or romancer would love. A battalion of the Chasseurs
Britanniques—a corps composed of men of every nation—were drawn up
opposite the Ross-shire Buffs; the garb of the latter nearly resembling
that of the imperial legions whose swords had laid all Europe and part
of Asia at the feet of Rome.
Public-domain text, read in full here on John Shaqi.
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