Filling up the background of this novel and picturesque scene, on one
side rose the dark citadel, with its heavy ramparts and macciolated
battlements, in the style of the middle ages; on the other, lay the
little Italian town, with its balconies, verandahs, and terraces—its
flat roofs of wood or tile, and its little square towers open on four
sides, and covered with broad projecting roofs—one-half in light the
other in deep shadow, as the setting sun poured its ruddy lustre from
the summits of the distant hills. Beneath the castled rocks shone the
glassy gulf, where cape and headland, breasting the rolling waves,
stretched away to the horizon in dim perspective, till the soft blue of
the ocean blended with that of the evening sky, and some white shadowy
sail alone indicated the line where air and ocean met.
Immediately after the gun was fired from the _Amphion_, the French drums
were heard beating, and the garrison came forth about six hundred
strong; having two field pieces in front, with two tumbrils of
ammunition, and two of baggage. They marched in subdivisions, with
bayonets fixed, the right in front, the field officers mounted, with
colours flying and brass drums beating; the gunners carried their
linstocks lighted at both ends, and a ball was placed in the mouth of
each piece of ordnance. Their _tout ensemble_ was peculiarly
service-like and soldierly; their dark greatcoats enlivened by red
worsted epaulettes and scarlet trousers, and the bear-skin caps
surmounting bronzed visages with rough wiry mustachios. Many of them
were veterans of the empire, with hair grey as their goatskin knapsacks.
The hoarse rattle of their brass drums, the sharply sonorous trumpets
and clashing cymbals—a not unharmonious clangour of metallic
music—loudly resounding as they marched through the archway of the
citadel, lent additional spirit to the scene, as they advanced with all
the order and steadiness of a review on the Champ de Mars. Their
bayonets, brass-feruled musket-barrels, and the gilt eagles on their
caps, gleamed in the rays of the setting sun, and the heavy silken
tricolour flapped in the breeze, as it was up-borne above the marching
column by Bourmont’s only son, a mere boy, fitter for his mother’s side
than the harrowing scenes of war.
"Portez vos armes!" cried Bourmont, lowering his sabre on passing the
first stand of colours.
Public-domain text, read in full here on John Shaqi.
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