The path we pursued was different from that which I had travelled
before, and the intense solitude around it was almost oppressive. We
were marching through a dense forest, where not a sound broke its
stillness, save the cry of a solitary lynx or the flap of an eagle’s
wing, as he soared to his eyrie in the sandstone cliffs which reared
their rugged front above the woodlands. White wreaths of distant smoke
shot up in vapoury columns through the green foliage, announcing that
the wild contained other human beings than ourselves; but whether these
were poor charcoal-burners, or robbers roasting a fat buck on the green
sward, we knew not. We passed one or two lonely cottages, where the
labouring hinds were separating grain from its husks, by the ancient
modes—trampling the corn under the hoofs of cattle, or rolling over it a
large stone drawn by a team of stout buffaloes.
Calabria was then (and perhaps is yet) widely different from every other
part of Italy: its peculiar situation, its lofty mountains, its dense
forests spreading from sea to sea and intersected by few roads, and its
hordes of banditti, made it dangerous and difficult of access to the
artist and tourist; consequently, until the close of Manhes’ campaign of
blood, it was an unknown territory to the rest of Europe. These
circumstances rendered the natives rude in character and revengeful in
spirit; and thus a mighty barrier rose between the lower orders and the
noblesse: who (in the words of a recent writer on Italy) "live wholly
apart from the people—they compose two entirely distinct worlds."
After halting in forests during the sultry noon, cantoning in villages,
and marching in the cool morning and evening for two days, we arrived
near Amato, a little town within a few leagues of the Villa D’Alfieri.
We were traversing a deep pass of the Apennines, when the evening, which
had been serene and fine, became clouded: the lowering sky portended a
coming tempest. We pushed on, at an increased pace, to reach a
castellated villa, the residence of a Calabrian of rank, which we saw
perched on an isolated mass of rock, about a league up the mountains.
Striking and picturesque appeared the Vale of Amato, as the setting sun
poured its last blaze of radiance down the deep gorge between the dark
wooded hills, gilding the crenellated battlements, Saracenic galleries
and Norman keep of the distant castle; and reflected in the river, which
glowed like a stream of molten gold between thickets of sombre cypress
and fragrant orange-trees. Gradually, the hue of the setting orb changed
from bright saffron to deep red; and a flood of crimson lustre fell over
everything, tinging the lofty hills, the thick woods, the glassy river
with a blood-red tint, which rapidly became more sombre as the sun
disappeared behind the pine-clad hills. Then thunder rumbled through
the darkening sky; gloomy banks of cloud came scudding across it, and
volumes of vapour rolled away from the bed of the Amato.
Public-domain text, read in full here on John Shaqi.
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