Adventures of Martin Hewitt, Third SeriesMorrison, Arthur
General
Adventures of Martin Hewitt, Third Series
Morrison, Arthur
Detective and mystery stories, English; Private investigators -- England -- Fiction
“Just so; but why _both_ sheets? One would be ample. And since you
allude to the bundle, why both sheets as well as the Indian shawl?
This last, by the way, is a thing Mrs. Beckle seems not to have
missed in the confusion, or perhaps she didn’t know that Pullin
possessed it. Why all these wrappings, and moreover, _why the hook?_
The presumption is clear. The bundle was already made up in the
Indian shawl, and required no more wrapping. The two sheets were
wanted to tie together to enable the criminal to descend from the
window, and the hook was the very thing to hold this rope with at the
top. It was not necessary to tie it to anything, and it would not
prevent the shutting of the window behind. Moreover, when the descent
had been made, a mere shake of the rope of sheets would dislodge the
hook and bring it down, thus leaving no evidence of the
escape--except the mark on the sill, which was very small.
“Then again, there was no noise or struggle heard. Pullin, as you
could see, was a powerful, hard-set man, not likely to allow his
throat to be cut without a lot of trouble, therefore the murderer
must either have entered the room unknown to him--an unlikely thing,
for he had not gone to bed--or else must have been there with his
permission, and must have taken him by sudden surprise. And now we
come to the heart of the thing. Of the two papers burnt in the
grate--you have kept them under the shade, I see--one bore no trace
of the writing that had been on it (many inks and papers do not after
having been burnt), but the other bore plain signs of having been a
cheque. Now just let us look at it. The main body of the paper has
burnt to a deep gray ash, nearly black, but the printed parts of the
cheque--those printed in coloured inks, that is--are of a much paler
gray, quite a light ash colour. That is the colour to which most of
the _pink_ ink used in printing cheques burns, as you may easily test
for yourself with an old cheque of the sort that is printed from a
fine plate with water-solution pink ink. The _black_ ink, on the
other hand, such as the number of the cheque is printed in, has
charred black, and by sharp eyes is quite distinguishable against the
general dark gray of the paper. The cinder is unfortunately broken
rather badly, and the part containing the signature is missing
altogether. But one can plainly see in large script letters part of
the boldest line of print, the name of the bank. The letters are _e r
n C o n s o,_ and this must mean the Eastern Consolidated Bank. Of
course you saw that for yourself.”
“Yes, of course I did.”
Public-domain text, read in full here on John Shaqi.
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