Adventures of the Comte de la Muette during the Reign of TerrorCapes, Bernard
History
Adventures of the Comte de la Muette during the Reign of Terror
Capes, Bernard
France -- History -- Revolution, 1789-1799 -- Fiction
We were running between dark hedges at the time. Suddenly we came
among farm-buildings, a thronging dilapidated group. The byres
mouldered on their props; the flat stones of the roofs had flaked
generations of rubbish upon the weedy ground beneath.
Crépin rubbed his hands.
“It is well,” he said. “This without doubt is a skinflint.”
We turned a corner and passed the entrance to a ruined drive. Here the
tall iron gates, swinging upon massive posts of rubble-stone, had been
recently, it seemed, torn from their moorings of grass and knotted
bindweed, for the ground was scarred and the lower bars of metal hung
with rags of drooping green. Crépin’s features underwent another
change at the sight.
“But what is this?” he muttered. “Something unaccustomed--some
scare--some panic?”
He looked with sudden fury at the prisoner.
“If he has got wind of our coming--has escaped with----”
He broke off, showing his teeth and grinding his hands together. At
the moment we came in view of the château.
It was an old grey house--built of the same material as the
gate-pillars--with a high-pitched roof and little corner _tourelles_.
Once, presumably, a possession of importance, decay and neglect had
now beggared it beyond description. Yet within and without were
evidences of that vulgar miserly spirit that seeks by inadequate
tinkering to deceive with half-measures. The tangled grass of the lawn
was cut only where its untidiness would have been most in evidence,
and its litter left where it fell. Triton blew his conch from a fine
fountain basin near the middle of the plot; but the shell, threatening
to break away, had been fastened to the sea-god’s lips with a ligament
of twine that was knotted round the head. A crippled bench was propped
with a stone; a shattered ball-capital at the entrance-door held
together with a loop of wire. What restoration that was visible was
all in this vein of ludicrous economy.
But not a sign of life was about--no footstep in the grounds, no face
at any window. To all appearance the place was desolate.
We drew up at the broken stone porch. The door was already flung wide,
and we entered, with all the usual insolent clatter of “fraternity,”
an echoing hall. Here, as elsewhere, were dust and decay--inconsequent
patching and the same tawdry affectation of repair.
A shallow flight of stairs, broad and oaken, led straight up to a
little low gallery that bisected the hall like a transom. Up these
steps we scuttled, the escort driving the prisoner amongst them, and
came to a corridor from which a number of closed doors shut off the
living rooms of the house.
Suddenly Crépin put up his hand and motioned us to silence. From one
of the invisible chambers, some distance down the corridor, rose and
fell, like wind in a key-hole, a little blasphemous complaining voice.
Public-domain text, read in full here on John Shaqi.
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