Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium; Vol. 2 (of 2): being Notes of Eight Years' Travels and Residence in Europe with his North American Indian CollectionCatlin, George
History
Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium; Vol. 2 (of 2): being Notes of Eight Years' Travels and Residence in Europe with his North American Indian Collection
Catlin, George
England -- Description and travel; France -- Description and travel; Indians of North America
After this, the _ne plus ultra_ (as the Doctor would undoubtedly call
it), the frightful "_Scalp Dance_,"[11] was announced. All parties,
the modest _squaws_ (of whom they had four with them) as well as the
men, were arranging their dresses and implements to take part in it.
The drums struck up, and the "splendid _Roman Nose_" led off, waving
his two scalps on the point of a lance, until he was once around the
circle, when they were placed in the hands of a squaw to carry, whilst
he wielded his tomahawk and scalping-knife, and showed the manner in
which his unfortunate enemies had fallen before him. This was probably
the first time that the Scalp Dance, in its original and _classic_
form, was ever seen in the city of London, and embellished by the
presence of real and _genuine scalps_.
[11] This barbarous and exciting scene is the Indian mode of
celebrating a victory, and is given fifteen nights in
succession, when a war party returns from battle, having taken
scalps from the heads of their enemies. Taking the scalp is
practised by all the American tribes, and by them all very
much in the same way, by cutting off a patch of the skin from
a victim's head when killed in battle; and this piece of
skin, with the hair on it, is the scalp, which is taken and
preserved solely for a trophy, as the proof positive that its
possessor has killed an enemy in battle, and this because they
have no books of history or public records to refer to for the
account of the battles of military men. The scalp dance is
generally danced by torch light, at a late hour in the night;
and, in all tribes, the women take a conspicuous part in it,
by dancing in the circle with the men, holding up the scalps
just brought from battle, attached to the top of a pole, or
the handle of a lance.
A scalp, to be a genuine one, must have been taken from the head
of an _enemy_, and that enemy _dead_. The living are sometimes
scalped, but whenever it occurs, it is on a field of battle,
amongst the wounded, and supposed to be dead, who sometimes
survive, but with the signal disgrace of having lost a patch
of the skin and hair from the top of their heads.
Public-domain text, read in full here on John Shaqi.
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