Aesthetic as Science of Expression and General LinguisticCroce, Benedetto
Philosophy
Aesthetic as Science of Expression and General Linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
The philosopher feels that he has a great mission, which is nothing less
than the leading back of thought to belief in the spirit, deserted by so
many for crude empiricism and positivism. His view of philosophy is that
it sums up all the higher human activities, including religion, and that
in proper hands it is able to solve any problem. But there is no
finality about problems: the solution of one leads to the posing of
another, and so on. Man is the maker of life, and his spirit ever
proceeds from a lower to a higher perfection. Connected with this view
of life is Croce's dislike of "Modernism." When once a problem has been
correctly solved, it is absurd to return to the same problem. Roman
Catholicism cannot march with the times. It can only exist by being
conservative--its only Logic is to be illogical. Therefore, Croce is
opposed to Loisy and Neo-Catholicism, and supports the Encyclical
against Modernism. The Catholic religion, with its great stores of myth
and morality, which for many centuries was the best thing in the world,
is still there for those who are unable to assimilate other food.
Another instance of his dislike for Modernism is his criticism of
Pascoli, whose attempts to reveal enigmas in the writings of Dante he
looks upon as useless. We do not, he says, read Dante in the twentieth
century for his hidden meanings, but for his revealed poetry.
I believe that Croce will one day be recognized as one of the very few
great teachers of humanity. At present he is not appreciated at nearly
his full value. One rises from a study of his philosophy with a sense of
having been all the time as it were in personal touch with the truth,
which is very far from the case after the perusal of certain other
philosophies.
Croce has been called the philosopher-poet, and if we take philosophy as
Novalis understood it, certainly Croce does belong to the poets, though
not to the formal category of those who write in verse. Croce is at any
rate a born philosopher, and as every trade tends to make its object
prosaic, so does every vocation tend to make it poetic. Yet no one has
toiled more earnestly than Croce. "Thorough" might well be his motto,
and if to-day he is admitted to be a classic without the stiffness one
connects with that term, be sure he has well merited the designation.
His name stands for the best that Italy has to give the world of
serious, stimulating thought. I know nothing to equal it elsewhere.
Secure in his strength, Croce will often introduce a joke or some
amusing illustration from contemporary life, in the midst of a most
profound and serious argument. This spirit of mirth is a sign of
superiority. He who is not sure of himself can spare no energy for the
making of mirth. Croce loves to laugh at his enemies and with his
friends. So the philosopher of Naples sits by the blue gulf and explains
the universe to those who have ears to hear. "One can philosophize
anywhere," he says--but he remains significantly at Naples.
Public-domain text, read in full here on John Shaqi.
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