The will--The will as ulterior grade in respect of knowledge--Objections and explanations--Critique of practical judgments or judgments of value--Exclusion of the practical from the aesthetic--Critique of the theory of the end of art and of the choice of content--Practical innocence of art--Independence of art--Critique of the saying: the style is the man--Critique of the concept of sincerity in art. VII ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL The two forms of practical activity--The economically useful-- Distinction between the useful and the technical--Distinction between the useful and the egoistic--Economic and moral volition--Pure economicity--The economic side of morality--The merely economical and the error of the morally indifferent--Critique of utilitarianism and the reform of Ethic and of Economic--Phenomenon and noumenon in practical activity. VIII EXCLUSION OF OTHER SPIRITUAL FORMS The system of the spirit--The forms of genius--Inexistence of a fifth form of activity--Law; sociality--Religiosity--Metaphysic--Mental imagination and the intuitive intellect--Mystical Aesthetic--Mortality and immortality of art. IX INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC The characteristics of art--Inexistence of modes of expression-- Impossibility of translations--Critique of rhetorical categories-- Empirical meaning of rhetorical categories--Their use as synonyms of the aesthetic fact--Their use as indicating various aesthetic imperfections--Their use as transcending the aesthetic fact, and in the service of science--Rhetoric in schools--Similarities of expressions--Relative possibility of translations. X AESTHETIC SENTIMENTS AND THE DISTINCTION BETWEEN THE BEAUTIFUL AND THE UGLY Various meanings of the word sentiment--Sentiment as activity-- Identification of sentiment with economic activity--Critique of hedonism--Sentiment as concomitant of every form of activity--Meaning of certain ordinary distinctions of sentiments--Value and disvalue: the contraries and their union--The beautiful as the value of expression, or expression without adjunct--The ugly and the elements of beauty that constitute it--Illusion that there exist expressions neither beautiful nor ugly--Proper aesthetic sentiments and concomitant and accidental sentiments--Critique of apparent sentiments. XI CRITIQUE OF AESTHETIC HEDONISM Critique of the beautiful as what pleases the superior senses--Critique of the theory of play--Critique of the theory of sexuality and of the triumph--Critique of the Aesthetic of the sympathetic--Meaning in it of content and of form--Aesthetic hedonism and moralism--The rigoristic negation, and the pedagogic negation of art--Critique of pure beauty. XII THE AESTHETIC OF THE SYMPATHETIC AND PSEUDO-AESTHETIC CONCEPTS