Aesthetic as Science of Expression and General LinguisticCroce, Benedetto
Philosophy
Aesthetic as Science of Expression and General Linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
Where this is not possible, owing to the delicate and fleeting shades
between the real and unreal intuitions, which confuse the one with the
other, we must either renounce, for the time at least, the knowledge of
what really happened (and this we often do), or we must fall back upon
conjecture, verisimilitude, probability. The principle of verisimilitude
and of probability dominates in fact all historical criticism.
Examination of the sources and of authority is directed toward
establishing the most credible evidence. And what is the most credible
evidence, save that of the best observers, that is, of those who best
remember and (be it understood) have not desired to falsify, nor had
interest in falsifying the truth of things? From this it follows that
intellectual scepticism finds it easy to deny the certainty of any
history, for the certainty of history is never that of science.
Historical certainty is composed of memory and of authority, not of
analyses and of demonstration. To speak of historical induction or
demonstration, is to make a metaphorical use of these expressions, which
bear quite a different meaning in history to that which they bear in
science. The conviction of the historian is the undemonstrable
conviction of the juryman, who has heard the witnesses, listened
attentively to the case, and prayed Heaven to inspire him. Sometimes,
without doubt, he is mistaken, but the mistakes are in a negligible
minority compared with the occasions when he gets hold of the truth.
That is why good sense is right against the intellectualists, in
believing in history, which is not a "fable agreed upon," but that which
the individual and humanity remember of their past. We strive to enlarge
and to render as precise as possible this record, which in some places
is dim, in others very clear. We cannot do without it, such as it is,
and taken as a whole, it is rich in truth. In a spirit of paradox only,
can one doubt if there ever were a Greece or a Rome, an Alexander or a
Caesar, a feudal Europe overthrown by a series of revolutions, that on
the 1st of November 1517 the theses of Luther were seen fixed to the
door of the church of Wittenberg, or that the Bastile was taken by the
people of Paris on the 14th of July 1789.
"What proof givest thou of all this?" asks the sophist, ironically.
Humanity replies "I remember."
[Sidenote] _Philosophy as perfect science. The so-called natural
sciences, and their limits._
The world of what has happened, of the concrete, of history, is the
world that is called real, natural, including in this definition the
reality that is called physical, as well as that which is called
spiritual and human. All this world is intuition; historical intuition,
if it be realistically shown as it is, or imaginary intuition, artistic
in the strict sense, if shown under the aspect of the possible, that is
to say, of the imaginable.
Public-domain text, read in full here on John Shaqi.
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