Aesthetic as Science of Expression and General Linguistic — John Shaqi
Aesthetic as Science of Expression and General LinguisticCroce, Benedetto
Philosophy
Aesthetic as Science of Expression and General Linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
The philosophical condemnation of artistic and literary classes is found
in the formulation and demonstration of what artistic activity has ever
sought and good taste ever recognized. What is to be done if good taste
and the real fact, put into formulas, sometimes assume the air of
paradoxes?
[Sidenote] _Empirical sense of the divisions of classes._
Now if we talk of tragedies, comedies, dramas, romances, pictures of
everyday life, battle-pieces, landscapes, seascapes, poems, versicles,
lyrics, and the like, if it be only with a view to be understood, and to
draw attention in general and approximatively to certain groups of
works, to which, for one reason or another, it is desired to draw
attention, in that case, no scientific error has been committed. We
employ _vocables and phrases_; we do not establish _laws and
definitions_. The mistake arises when the weight of a scientific
definition is given to a word, when we ingenuously let ourselves be
caught in the meshes of that phraseology. Pray permit me a comparison.
It is necessary to arrange the books in a library in one way or another.
This used generally to be done by means of a rough classification by
subjects (among which the categories of miscellaneous and eccentric were
not wanting); they are now generally arranged by sizes or by publishers.
Who can deny the necessity and the utility of these groupings? But what
should we say if some one began seriously to seek out the literary laws
of miscellanies and of eccentricities from the Aldine or Bodonian
collection, from size A or size B, that is to say, from these altogether
arbitrary groupings whose sole object has been their practical use?
Well, whoever should undertake an enterprise such as this, would be
doing neither more nor less than those who seek out the aesthetic laws
of literary and artistic classes.
V
ANALOGOUS ERRORS IN HISTORIC AND LOGIC
The better to confirm these criticisms, it will be opportune to cast a
rapid glance over analogous and opposite errors, born of ignorance as to
the true nature of art, and of its relation to history and to science.
These errors have injured alike the theory of history and of science, of
Historic (or Historiology) and of Logic.
[Sidenote] _Critique of the philosophy of history._
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