Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
Nature herself has actually used a sensuous means to teach us that we
are something more than mere sensuous natures. She has even known how to
make use of our sensations to put us on the track of this discovery—that
we are by no means subject as slaves to the violence of the sensations.
And this is quite a different effect from that which can be produced by
the beautiful; I mean the beautiful of the _real_ world, for the sublime
itself is surpassed by the _ideal_. In the presence of beauty, reason
and sense are in harmony, and it is only on account of this harmony that
the beautiful has attraction for us. Consequently, beauty alone could
never teach us that our destination is to act as pure intelligences, and
that we are capable of showing ourselves such. In the presence of the
sublime, on the contrary, reason and the sensuous are not in harmony,
and it is precisely this contradiction between the two which makes the
charm of the sublime,—its irresistible action on our minds. Here the
physical man and the moral man separate in the most marked manner; for
it is exactly in the presence of objects that make us feel at once how
limited the former is that the other makes the experience of its force.
The very thing that lowers one to the earth is precisely that which
raises the other to the infinite.
Let us imagine a man endowed with all the virtues of which the union
constitutes a _fine_ character. Let us suppose a man who finds his
delight in practising justice, beneficence, moderation, constant, and
good faith. All the duties whose accomplishment is prescribed to him by
circumstances are only a play to him, and I admit that fortune favors
him in such wise that none of the actions which his good heart may
demand of him will be hard to him. Who would not be charmed with such a
delightful harmony between the instincts of nature and the prescriptions
of reason? and who could help admiring such a man? Nevertheless, though
he may inspire us with affection, are we quite sure that he is really
virtuous? or in general that he has anything that corresponds to the
idea of virtue? If this man had only in view to obtain agreeable
sensations, unless he were mad he could not act in another possible way;
and he would have to be his own enemy to wish to be vicious. Perhaps the
principle of his actions is pure, but this is a question to be discussed
between himself and his conscience. For _our_ part, we see nothing of
it; we do not see him do anything more than a simply clever man would do
who had no other god than pleasure. Thus all his virtue is a phenomenon
that is explained by reasons derived from the sensuous order, and we are
by no means driven to seek for reasons beyond the world of sense.
Public-domain text, read in full here on John Shaqi.
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