Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
But even further limitations are necessary in this innocent subserviency
to the senses, which is only allowed in the _form_, without changing
anything in the substance. Great moderation must be always used, and
sometimes the end in view may be completely defeated according to the
kind of knowledge and degree of conviction aimed at in imparting our
views to others. There is a _scientific_ knowledge, which is based on
clear conceptions and known principles; and a _popular_ knowledge, which
is founded on feelings more or less developed. What may be very useful
to the latter is quite possibly adverse to the former.
When the object in view is to produce a strict conviction on principles,
it is not sufficient to present the truth only in respect to its
contents or subject; the test of the truth must at the same time be
contained in the manner of its presentation. But this can mean nothing
else than that not only the contents, but also the mode of stating them,
must be according to the laws of thought. They must be connected in the
presentation with the same strict logical sequence with which they are
chained together in the reasonings of the understanding; the stability
of the representation must guarantee that of the ideas. But the strict
necessity with which the understanding links together reasonings and
conclusions, is quite antagonistic to the freedom granted to imagination
in matters of knowledge. By its very nature, the imagination strives
after perceptions, that is, after complete and completely determinate
representations, and is indefatigably active to represent the universal
in one single case, to limit it in time and space, to make of every
conception an individual, and to give a body to abstractions. Moreover,
the imagination likes freedom in its combinations, and admits no other
law in them than the accidental connection with time and space; for this
is the only connection that remains to our representations, if we
separate from them in thought all that is conception, all that binds
them internally and substantially together. The understanding, following
a diametrically opposite course, only occupies itself with part
representations or conceptions, and its effort is directed to
distinguish features in the living unity of a perception. The
understanding proceeds on the same principles in putting together and
taking to pieces, but it can only combine things by part
representations, just as it can _separate_ them; for it only unites,
_according to their inner relations_, things that first disclosed
themselves in their separation.
Public-domain text, read in full here on John Shaqi.
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