Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
Adrian, without fear of consequences, had made such an avowal, moved by
his natural sincerity, and that he would have persisted in acting thus,
though he had understood all the drift of his clumsiness. Unhappily we
have some reason to believe that he did not consider his conduct as
altogether impolitic, and that in his candor he went so far as to
flatter himself that he had served very usefully the interests of his
church by his indulgence to his adversaries. He did not even imagine
that he ought to act thus in his quality as an honest man; he thought
also as a pope to be able to justify himself, and forgetting that the
most artificial of structures could only be supported by continuing to
deny the truth, he committed the unpardonable fault of having recourse
to means of safety, excellent perhaps, in a natural situation, but here
applied to entirely contrary circumstances. This necessarily modifies
our judgment very much, and although we cannot refuse our esteem for the
honesty of heart in which the act originates, this esteem is greatly
lessened when we reflect that nature on this occasion was too easily
mistress of art, and that the heart too easily overruled the head.
True genius is of necessity simple, or it is not genius. Simplicity
alone gives it this character, and it cannot belie in the moral order
what it is in the intellectual and æsthetical order. It does not know
those rules, the crutches of feebleness, those pedagogues which prop up
slippery spirits; it is only guided by nature and instinct, its guardian
angel; it walks with a firm, calm step across all the snares of false
taste, snares in which the man without genius, if he have not the
prudence to avoid them the moment he detects them, remains infallibly
imbedded. It is therefore the part only of genius to issue from the
known without ceasing to be at home, or to enlarge the circle of nature
without _overstepping_ it. It does indeed sometimes happen that a great
genius oversteps it; but only because geniuses have their moments of
frenzy, when nature, their protector, abandons them, because the force
of example impels them, or because the corrupt taste of their age leads
them astray.
The most intricate problems must be solved by genius with simplicity,
without pretension, with ease; the egg of Christopher Columbus is the
emblem of all the discoveries of genius. It only justifies its character
as genius by triumphing through simplicity over all the complications of
art. It does not proceed according to known principles, but by feelings
and inspiration; the sallies of genius are the inspirations of a God
(all that healthy nature produces is divine); its feelings are law’s for
all time, for all human generations.
Public-domain text, read in full here on John Shaqi.
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