Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
Simplicity in our mode of thinking brings with it of necessity
simplicity in our mode of expression, simplicity in terms as well as
movement; and it is in this that grace especially consists. Genius
expresses its most sublime and its deepest thoughts with this simple
grace; they are the divine oracles that issue from the lips of a child;
while the scholastic spirit, always anxious to avoid error, tortures all
its words, all its ideas, and makes them pass through the crucible of
grammar and logic, hard and rigid, in order to keep from vagueness, and
uses few words in order not to say too much, enervates and blunts
thought in order not to wound the reader who is not on his guard—genius
gives to its expression, with a single and happy stroke of the brush, a
precise, firm, and yet perfectly free form. In the case of grammar and
logic, the sign and the thing signified are always heterogeneous and
strangers to each other: with genius, on the contrary, the expression
gushes forth spontaneously from the idea, the language and the thought
are one and the same; so that even though the expression thus gives it a
body the spirit appears as if disclosed in a nude state. This fashion of
expression, when the sign disappears entirely in the thing signified,
when the tongue, so to speak, leaves the thought it translates naked,
whilst the other mode of expression cannot represent thought without
veiling it at the same time: this is what is called originality and
inspiration in style.
This freedom, this natural mode by which genius expresses itself in
works of intellect, is also the expression of the innocence of heart in
the intercourse of life. Every one knows that in the world men have
departed from simplicity, from the rigorous veracity of language, in the
same proportion as they have lost the simplicity of feelings. The guilty
conscience easily wounded, the imagination easily seduced, made an
anxious decency necessary. Without telling what is false, people often
speak differently from what they think; we are obliged to make
circumlocutions to say certain things, which however, can never afflict
any but a sickly self-love, and that have no danger except for a
depraved imagination. The ignorance of these laws of propriety
(conventional laws), coupled with a natural sincerity which despises all
kinds of bias and all appearance of falsity (sincerity I mean, not
coarseness, for coarseness dispenses with forms because it is hampered),
gives rise in the intercourse of life to a simplicity of expression that
consists in naming things by their proper name without circumlocution.
This is done because we do not venture to designate them as they are, or
only to do so by artificial means. The ordinary expressions of children
are of this kind. They make us smile because they are in opposition to
received manners; but men would always agree in the bottom of their
hearts that the child is right.
Public-domain text, read in full here on John Shaqi.
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