Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
It is therefore not going far enough to say that the light of the
understanding only deserves respect when it reacts on the character; to
a certain extent it is from the character that this light proceeds; for
the road that terminates in the head must pass through the heart.
Accordingly, the most pressing need of the present time is to educate
the sensibility, because it is the means, not only to render efficacious
in practice the improvement of ideas, but to call this improvement into
existence.
LETTER IX.
But perhaps there is a vicious circle in our previous reasoning!
Theoretical culture must it seems bring along with it practical culture,
and yet the latter must be the condition of the former. All improvement
in the political sphere must proceed from the ennobling of the
character. But, subject to the influence of a social constitution still
barbarous, how can character become ennobled? It would then be necessary
to seek for this end an instrument that the state does not furnish, and
to open sources that would have preserved themselves pure in the midst
of political corruption.
I have now reached the point to which all the considerations tended that
have engaged me up to the present time. This instrument is the art of
the beautiful; these sources are open to us in its immortal models.
Art, like science, is emancipated from all that is positive, and all
that is humanly conventional; both are completely independent of the
arbitrary will of man. The political legislator may place their empire
under an interdict, but he cannot reign there. He can proscribe the
friend of truth, but truth subsists; he can degrade the artist, but he
cannot change art. No doubt, nothing is more common than to see science
and art bend before the spirit of the age, and creative taste receive
its law from critical taste. When the character becomes stiff and
hardens itself, we see science severely keeping her limits, and art
subject to the harsh restraint of rules; when the character is relaxed
and softened, science endeavors to please and art to rejoice. For whole
ages philosophers as well as artists show themselves occupied in letting
down truth and beauty to the depths of vulgar humanity. They themselves
are swallowed up in it; but, thanks to their essential vigor and
indestructible life, the true and the beautiful make a victorious fight,
and issue triumphant from the abyss.
Public-domain text, read in full here on John Shaqi.
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