Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
Now it is necessary that his sensuous nature should be modified, and
that in the indefinite series of possible determinations one alone
should become real. One perception must spring up in it. That which, in
the previous state of determinableness, was only an empty potency
becomes now an active force, and receives contents; but, at the same
time, as an active force it receives a limit, after having been, as a
simple power, unlimited. Reality exists now, but the infinite has
disappeared. To describe a figure in space, we are obliged to _limit_
infinite space; to represent to ourselves a change in time, we are
obliged to _divide_ the totality of time. Thus we only arrive at reality
by limitation, at the positive, at a real _position_, by _negation_ or
exclusion; to determination, by the suppression of our free
determinableness.
But mere exclusion would never beget a reality, nor would a mere
sensuous impression ever give birth to a perception, if there were not
something from which it was excluded, if by an absolute act of the mind
the negation were not referred to something positive, and if opposition
did not issue out of non-position. This act of the mind is styled
judging or thinking, and the result is named _thought_.
Before we determine a place in space, there is no space for us; but
without absolute space we could never determine a place. The same is the
case with time. Before we have an instant, there is no time to us: but
without infinite time—eternity—we should never have a representation of
the instant. Thus, therefore, we can only arrive at the whole by the
part, to the unlimited through limitation; but reciprocally we only
arrive at the part through the whole, at limitation through the
unlimited.
It follows from this, that when it is affirmed of beauty that it
mediates for man, the transition from feeling to thought, this must not
be understood to mean that beauty can fill up the gap that separates
feeling from thought, the passive from the active. This gap is infinite;
and, without the interposition of a new and independent faculty, it is
impossible for the general to issue from the individual, the necessary
from the contingent. Thought is the immediate act of this absolute
power, which, I admit, can only be manifested in connection with
sensuous impressions, but which in this manifestation depends so little
on the sensuous that it reveals itself specially in an opposition to it.
The spontaneity or autonomy with which it acts excludes every foreign
influence; and it is not in as far as it _helps_ thought—which
comprehends a manifest contradiction—but only in as far as it procures
for the intellectual faculties the freedom to manifest themselves in
conformity with their proper laws. It does it only because the beautiful
can become a means of leading man from matter to form, from feeling to
laws, from a limited existence to an absolute existence.
Public-domain text, read in full here on John Shaqi.
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