Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
When the frank and independent appearance is found in man separately, or
in a whole people, it may be inferred they have mind, taste, and all
prerogatives connected with them. In this case the ideal will be seen to
govern real life, honor triumphing over fortune, thought over enjoyment,
the dream of immortality over a transitory existence.
In this case public opinion will no longer be feared, and an olive crown
will be more valued than a purple mantle. Impotence and perversity alone
have recourse to false and paltry semblance, and individuals as well as
nations who lend to reality the support of appearance, or to the
æsthetic appearance the support of reality, show their moral
unworthiness and their æsthetical impotence. Therefore, a short and
conclusive answer can be given to this question—how far will appearance
be permitted in the moral world? It will run thus in proportion as this
appearance will be æsthetical, that is, an appearance that does not try
to make up for reality, nor requires to be made up for by it. The
æsthetical appearance can never endanger the truth of morals: wherever
it seems to do so the appearance is not æsthetical. Only a stranger to
the fashionable world can take the polite assurances, which are only a
form, for proofs of affection, and say he has been deceived; but only a
clumsy fellow in good society calls in the aid of duplicity and flatters
to become amiable. The former lacks the pure sense for independent
appearance; therefore he can only give a value to appearance by truth.
The second lacks reality, and wishes to replace it by appearance.
Nothing is more common than to hear depreciators of the times utter
these paltry complaints—that all solidity has disappeared from the
world, and that essence is neglected for semblance. Though I feel by no
means called upon to defend this age against these reproaches, I must
say that the wide application of these criticisms shows that they attach
blame to the age, not only on the score of the false, but also of the
frank appearance. And even the exceptions they admit in favor of the
beautiful have for their object less the independent appearance than the
needy appearance. Not only do they attack the artificial coloring that
hides truth and replaces reality, but also the beneficent appearance
that fills a vacuum and clothes poverty; and they even attack the ideal
appearance that ennobles a vulgar reality. Their strict sense of truth
is rightly offended by the falsity of manners; unfortunately, they class
politeness in this category. It displeases them that the noisy and showy
so often eclipse true merit, but they are no less shocked that
appearance is also demanded from merit, and that a real substance does
not dispense with an agreeable form. They regret the cordiality, the
energy, and solidity of ancient times; they would restore with them
ancient coarseness, heaviness, and the old Gothic profusion. By
judgments of this kind they show an esteem for the matter itself
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