Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
unworthy of humanity, which ought only to value the matter inasmuch as
it can receive a form and enlarge the empire of ideas. Accordingly, the
taste of the age need not much fear these criticisms if it can clear
itself before better judges. Our defect is not to grant a value to
æsthetic appearance (we do not do this enough): a severe judge of the
beautiful might rather reproach us with not having arrived at pure
appearance, with not having separated clearly enough existence from the
phenomenon, and thus established their limits. We shall deserve this
reproach so long as we cannot enjoy the beautiful in living nature
without desiring it; as long as we cannot admire the beautiful in the
imitative arts without having an end in view; as long as we do not grant
to imagination an absolute legislation of its own; and as long as we do
not inspire it with care for its dignity by the esteem we testify for
its works.
LETTER XXVII.
Do not fear for reality and truth. Even if the elevated idea of æsthetic
appearance become general, it would not become so, as long as man
remains so little cultivated as to abuse it; and if it became general,
this would result from a culture that would prevent all abuse of it. The
pursuit of independent appearance requires more power of abstraction,
freedom of heart, and energy of will than man requires to shut himself
up in reality; and he must have left the latter behind him if he wishes
to attain to æsthetic appearance. Therefore, a man would calculate very
badly who took the road of the ideal to save himself that of reality.
Thus reality would not have much to fear from appearance, as we
understand it; but, on the other hand, appearance would have more to
fear from reality. Chained to matter, man uses appearance for his
purposes before he allows it a proper personality in the art of the
ideal: to come to that point a complete revolution must take place in
his mode of feeling, otherwise he would not be even on the way to the
ideal. Consequently, when we find in man the signs of a pure and
disinterested esteem, we can infer that this revolution has taken place
in his nature, and that humanity has really begun in him. Signs of this
kind are found even in the first and rude attempts that he makes to
embellish his existence, even at the risk of making it worse in its
material conditions. As soon as he begins to prefer form to substance
and to risk reality for appearance (known by him to be such), the
barriers of animal life fall, and he finds himself on a track that has
no end.
Public-domain text, read in full here on John Shaqi.
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